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Juan Salvo
January 18, 2013 at 6:06 am in reply to: Avid to DaVinci Resize success

When you imported the AAF or media, did you have “handle mixed framerates” enabled? If so, try recreating the project with it disabled. Also be sure to check “use input sizing” in AAF import.

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Juan Salvo
January 18, 2013 at 5:12 am in reply to: ultrascope software via thunderbolt

Not just 15, but retina 15. Need 1920×1080+ for 6 up display,

Colorist | Online Editor | Post Super | VFX Artist | BD Author

https://JuanSalvo.com
Juan Salvo
January 18, 2013 at 5:11 am in reply to: Avid to DaVinci Resize success

The issue with avid resizes seems to have something to do with the mixed frame rate function, basically when dealing with an AAF, if resolve finds speed data (like you see with mixed frame rates) it ignores the sizing data. Work around is to have a sequence in avid without mixed format or speed effects, and send that to resolve, with the config already set to the correct frame rate, and the “mixed resolution” check box unchecked. Then resolve will notice and respect the input sizing information, provided you enable the “use input sizing” option,

Colorist | Online Editor | Post Super | VFX Artist | BD Author

https://JuanSalvo.com
Juan Salvo
January 18, 2013 at 5:08 am in reply to: rendering to true 24 from 23.98

What Robert said. In addition there is an app called qt change, which is not expensive, and allows you to do that and much more to QuickTime files.

Colorist | Online Editor | Post Super | VFX Artist | BD Author

https://JuanSalvo.com
Juan Salvo
January 17, 2013 at 5:30 pm in reply to: ultrascope software via thunderbolt

iMac will also do it.

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Juan Salvo
January 17, 2013 at 4:32 am in reply to: Ultrastudio 3D SDI loop-through

Yes. Does seem to go directly through.

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https://JuanSalvo.com
Juan Salvo
January 16, 2013 at 7:27 pm in reply to: Blackmagic Ultrascope and Teranex 2D

The one issue here is the teranex is always processing the signal… so you’re not getting a true scope of what’s coming in through input. But rather seeing what’s going out after processing.

This is true even when the input standard and output standard are the same. ;/

Colorist | Online Editor | Post Super | VFX Artist | BD Author

https://JuanSalvo.com
Juan Salvo
January 16, 2013 at 6:01 pm in reply to: Grading Epic Monochrome

When do you start on this spot? As of right now there is no acceleration available for Epic-Monochrome footage, even in Redcine-X, it’s all done in CPU. So I think the intermediary workflow is the only viable one.

I’ve found the monochrome stuff to be really sharp and clean… sharp enough to where it doesn’t need any additional sharpening and i’ve had to do some misting to soften it up a bit.

On the mac I’ve had great success using prores 4444 for 2.5k intermediaries.

Colorist | Online Editor | Post Super | VFX Artist | BD Author

https://JuanSalvo.com
Juan Salvo
January 15, 2013 at 11:24 pm in reply to: Is it possible to get this to work?

This app is only testing your disk speed. Want faster performance, get faster drives.

Colorist | Online Editor | Post Super | VFX Artist | BD Author

https://JuanSalvo.com
Juan Salvo
January 15, 2013 at 1:45 am in reply to: Resolve Lite + Avid Artist color each reboot forget settings

Is the artist panel on when you log into OS?

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https://JuanSalvo.com

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