José luis Martínez díaz
Forum Replies Created
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Your only chance is to ask for a refund via the App Store Support, claiming it basically has limitations that are not specified in the description.
I had to do so with the first iteration of FCPX, it wasn’t quick but it worked.
J
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I’d go for better consolidate and transcode options, and a working roundtripping between premiere and speedgrade. Also, my personal requests would go for support Avid Mc Color surface and decklink within speedgrade.
J
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Every country, facility and ‘ancient editor’ has their procedures and glitches. If they haven’t provided anything more specific, I’ll go for the standard:
Here in Spain, I would simply add the leader, ten seconds of black just after the 2-pop, and sync the FFOA with the 1:00:00:00, so if your secuence would start at 00:59:40:00, adding 10 seconds countdown/2pop and 10 seconds black head will take you there.
Adding a text slate (a simple text title 5 second) identifying the program, reel and tc where FFOA is is also a good idea.
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Last Frame of Picture.
They usually calculate it from the LFOA.
What are you doing exactly?. Is your work to be organised in reels (20 mins) for kinescope or DCP?. multiplexing maybe?.
They are basically asking you to mark which part of the video file is “your program” and which parts are “handles” to edit out the head and tails. These are concepta from taditional film editing, maybe in your country used for encapsullation and multiplexing, but without knowing what exactly are you doing, and what is you client intended to do with it, is hard to ellaborate.
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The time between the LFOA and the LFOP used to be a ‘tail’ for the last shoot in the reel, so the reel change won’t eat up a dialog line or some Important action. The same wirh FFOP and FFOA You basically need to mark it so the reels, or virtual reels, has some point of reference.
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From mid october to late october to… Halloween?
J
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Try pro8mm.com or cinelicious.tv for rates to have the film scanned as data files (prores or uncompressed).
Try to get a dp with experience in film, or at least a camera assistant who has worked with film before. Use the meter and overexpose 2/3 a stop if working with negative, or dead on exposure if reversal.
J
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Most press releases, COW included, mentioned ‘mid-september’ when not October 15th.
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What the f*ck?.
So Apple doesn’t even respect the EU law?.
This is surreal.
j
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Well, since Decklinks work in windows machines, and there’s no affordable option for professional color correction in Windows, beyond Scratch, and a lot of people won’t be willing to pay the ‘apple tax’ now Final Cut has been turned in a ‘independent variable’…