[José luis Martínez díaz]

Thanks for your answer.

I really hope there’s some simplest way, because it’s 13 hours of footage, and almost 70% of it was PAL 16/9…

If this is the future I’m afraid I’ll go the way of dinosaurs…

[José luis Martínez díaz]

Michael,

I dunno if you are a catholic, but you should be canonized…

J

[José luis Martínez díaz]

Did you install Nvidia CUDA drivers?

Jose

[José luis Martínez díaz]

Thanks, but… could you elaborate it?. Just matching reel name between the two, then relinking, should do it?

Jose

[José luis Martínez díaz]

Hi,

Thanks for your answer. Yes, I know, and love Caldigit products, but I live in a 3 stories house, having the post station in the lowest and the macbook in the upper, I need the cable to go for long distances, so I suppose an ethernet is my best option?. Also budget is a concern.

Cheers,

Jose

[José luis Martínez díaz]

Neither the RED.

I don’t know if you speak of personal experience or just rumors, but I’ve had 40+ gigs this year with the RED ONE and had never a heat related problems with the RED, and I cannot say the same with the cinealta 750, since I witnessed 2 of them get fried in a Spanish major tv series on a hot location.

These ‘gel packs’ stories appeared after Che, but these were prototypes cameras.

The RED has the higher resolution, latitude, color, versatility of raw and 35mm depth of field, but both the shooting and postproduction needs a film-stle crew and mindset.

The Cinealta has much lower resolution and color space, 2/3inch dof, but a more ‘ENG’ style operation and straightforward post.

And is quite noisier, by the way. 😉

Cheers,

Jose