Forum Replies Created
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Try putting the letter box above the transition.
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
On the acquisition side, a scope is a must. It lets you know your key is lit properly, as well as your subject. It takes all the guess work out of shooting.
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
Jon Zanone
February 9, 2009 at 7:31 pm in reply to: Capturing to Media Composer via firewire problemsHave you selected the proper input in the capture window? Are you running Mojo?
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
Doesn’t OSX have some sort of automatic software installed? Of course, you wouldn’t want to do this whilst editing. Would you?
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
As long as you have the right connections going to the deck, of course it is. Avid was built to lay things to tape. You can either crash record, or insert edit. The only thing you would probably need is GENLOC going to both the Nitris and the deck. Oh, and an RS422/RS432 converter (Addendum makes them – google ‘rosetta stone and machine control) for deck control.
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
One more thing – if you use Sorenson, it won’t work with Vista. We recently had 7 Vista Media Composers re-imaged to XP because of that as well as some other quirky things. XP works well with Avid, Sorenson, AE, PShop… Vista is going away to be replace by Windows 7…
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
I’m not in front of an Avid right now, so the context may be a bit off…
Go to ‘file>import>P2’ and select import file (I think…). You’ll be importing the metadate, but use the media in it’s current location. If you select media, it will import the media and the metadata into your media drives. Takes a little bit of time, but you’ll have two versions.
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
Well, Avid doesn’t support .wma or .mpg on import. The quickest way is to use Sorenson (or whatever compression program you use) and convert the file to a .mov.
Quicktime movies are usually not a problem, unless your file has a CODEC not loaded into your machine. Can you play the quicktime on the same computer as your XPress?
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
Jon Zanone
January 23, 2009 at 11:21 pm in reply to: Sony DSR-1800 / Media Composer 3. software compatibleYou would definitely need to get a Mojo as well to use SDI.
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver -
Have you tried mixing down your sequence? Possibly a corrupt file somewhere?
Jon
“Jamming our heads full of figures and angles
And telling us stuff that we already know”Willie The Wandering Gypsy & Me
Billy Joe Shaver