Jon Smitherton
Forum Replies Created
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Jon Smitherton
February 9, 2011 at 10:56 am in reply to: MpegStreamclip better than FCP at making Prores 422 Clips??Has anyone tried this one?
https://rarevision.com/5dtorgb/
Stuck on 32bit (needs 64bit) at home and a System Admin with passwords and penchant for clean systems at work.Here’s a Mpeg Streamclip vs 5dtorgb comparision:
https://vimeo.com/14546682Hard to make comparison from this video apart from the obvious gamma difference.
Jon
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If you have to render audio: make sure ALL you audio is converted to 48k WAV of AIFF. You can do this via Quicktime. To get more realtime playback go into User Prefs (command 0) and change ‘Real-time Audio Mixing’ to 24 tracks. It defaults to 8 (grrr)….this is why you have to render.
You can also just change the level then back again so it re-caches.Jon
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Jon Smitherton
January 19, 2011 at 8:33 pm in reply to: Adjust Volumes/DB Level of Audio Tracks in Bulkor set one level of a clip in time line, select others, option-V paste attributes of audio level.
Jon -
Jon Smitherton
January 19, 2011 at 8:31 pm in reply to: Adjust Volumes/DB Level of Audio Tracks in BulkOr if the all the audio is uniform, you can turn down the master by 12dB in the audio mixer.
Jon -
Jon Smitherton
January 13, 2011 at 9:21 am in reply to: Random Freeze Frames When Exporting HD TimelineHave you tried deleting your render files and re-rendering? Trashing prefs?
Jon
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Jon Smitherton
January 13, 2011 at 9:19 am in reply to: 3way Color Corrector pixelates exported project.Yeah saw this a few months ago on a project totally stumped me – I would apply a simple CC and image would get the jaggies. Try going into a clip settings (on the timeline) and make sure it is set to ‘none’ in the field order tab.
Jon
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Jon Smitherton
December 7, 2010 at 10:45 pm in reply to: HDV capture,timeline,broadcast information pleaseSo Prores non – HQ is in the 709 colour space if say, editing in a timeline where the source is from HDV? Does this mean the only advantage of HQ is quality over 10 re-renders? (as per the white paper)
Be good to know this with regards to space – disk-wise.
Thanks Jon.
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Jon Smitherton
December 7, 2010 at 10:14 pm in reply to: HDV capture,timeline,broadcast information please“One suggestion: don’t use ProRes HQ. HQ only improves quality for 2K and above.”
not quite right… HQ uses the 709 colour space instead of 601 – imperative for HD broadcast requirements.
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try this plug:
https://rarevision.com/5dtorgb/
one would assume if you had better quality, there would be less moire.
Jon
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Jon Smitherton
November 24, 2010 at 4:51 am in reply to: Using EOS Movie Plug-In correctly with 5D H264s in FCP7?I’d try this plug and bypass the EOS plug altogether:
https://rarevision.com/5dtorgb/
“The main problem with all this is that you have to trust your NLE or compositing app to do a good job of performing the YCbCr to RGB conversion. Many programs use QuickTime internally to perform YCbCr to RGB conversion which, according to our testing, does only a mediocre job.”
Jon