Forum Replies Created

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  • John Pale

    June 14, 2008 at 9:45 pm in reply to: anamorphic Digibeta

    This is sounds like a reference problem. Do you have a black generator connected to the digibeta deck?

    Also, the DVW-A500 has a Reference switch on the front panel (on the left, I think). Try switching that to the opposite position. (sorry not in front of a machine, so I can’t remember exactly). I have seen having this switch in the wrong position affect the audio.

  • John Pale

    June 13, 2008 at 7:03 pm in reply to: cross convert 720 59.94 to 1080i 29.97

    The LHe doesnt do cross conversion.

    Just putting the 720p clip into your timeline will do a quick and dirty convert (not good quality).

    The 1200A will do a hardware cross convert, but then I guess you lose the slo mo benefits.

    If its just one shot, how about creating a 720p timeline and doing your slo mo there, then exporting to Compressor for the cross convert to 1080i.

  • John Pale

    June 11, 2008 at 3:17 am in reply to: soundsoap help

    If you cant get it to work, the noise reduction in Soundtrack Pro is very good (and operates similarly to Soundsoap) It integrates well with FCP.

  • John Pale

    June 6, 2008 at 3:48 am in reply to: Time Machine

    That being said, it can interfere with ETT and capture, depending on your system. Its happened to me, and I always turn it off now during these operations.

    My machine is on the slow side by today’s standards (dual 2ghz G5)….a MacPro might not hiccup at all.

  • John Pale

    June 6, 2008 at 3:45 am in reply to: Time Machine

    You can revert anything on your drive to its previous state, not just recover stuff you trashed.

    I know. I have done it. It works. Beautifully.

  • John Pale

    June 5, 2008 at 4:28 pm in reply to: ‘Recent Projects’ list

    Are your projects on a SAN or some sort of removable storage?

  • John Pale

    June 3, 2008 at 9:58 pm in reply to: Export sequence to Compressor vs. reference movie

    When sending directly to Compressor from the FCP timeline (instead of a reference file), all your effects are rendered directly to the codec you are compressing to (MPEG-2, in the case of a DVD preset, for example). It does not use your FCP render files at all

    This can lead to a cleaner encode, but it will take longer to compress. Sometimes a great deal longer.

  • John Pale

    June 3, 2008 at 5:04 am in reply to: mixing dv/hdv/dvcprohd footage in fcp6.0.2

    If the DVCPRO HD footage is tape based (not P2) you should be able to cross convert the 720p footage to 1080i in the deck . Then capture everything else as 1080i as well. Do the entire edit in 1080i.

  • John Pale

    June 2, 2008 at 3:35 pm in reply to: Managing a Multi Format Edit for Best results

    You may not have to eye match your Handbrake stuff if you re-do it using MPEG Streamclip.

    Just call your new files (Streamclip) the same names as the old ones (Handbrake). Then use the Reconnect command to link to the new files instead.

  • John Pale

    May 29, 2008 at 9:20 pm in reply to: DVD’s failing verification

    try some new dvd’s (different brand). Maybe you got a bad batch of Verbatims.

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