Forum Replies Created

Page 292 of 413
  • John Pale

    February 11, 2009 at 4:12 am in reply to: media log equivalent for fcp

    Actually, if you have a copy of Avid Media Log…you can use it. Just export the bin as ALE and use Cinema Tools to convert to FCP batch list

  • John Pale

    February 10, 2009 at 3:13 am in reply to: HD 4:4:4 posible with my mac?

    [Sean ONeil] “The source tapes are DVCProHD, so I think the suggestion was to capture firewire – which is the intelligent way to go IMO. Then lay off the final project to HDCAM SR which of course will require a card.

    Sean

    “

    Precisely what I meant Gary. Don’t understand what your problem is with this. I think you misunderstood.

  • John Pale

    February 8, 2009 at 10:39 pm in reply to: HD 4:4:4 posible with my mac?

    You can capture via Firewire (if you don’t want to buy a card) or through one of the capture cards Bob mentioned.

    For final output, you should consider rendering out a self contained DVCPRO HD movie and taking it to a post house with a Kona 3 and HDCAM-SR deck. The deck is complicated, you are better off doing this with people who do it all the time, if you are not familiar with it. Might save some money in the long run.

  • John Pale

    February 8, 2009 at 7:17 pm in reply to: HD 4:4:4 posible with my mac?

    You didn’t say what kind of G5.

    I have edited lots of DVCPRO HD on a G5 dual 2 GHZ. It works fine.

    Editing and delivering 4:4:4 is silly. DVCPRO HD is not a 4:4:4 codec. You would be just making really huge files with no improvement in quality, as the compression happened in camera before you captured it. If you have a massive fast disk array, you can probably do it anyway, if you are hell bent on it.

  • John Pale

    February 7, 2009 at 1:15 am in reply to: Real Time Exports

    If you can play out to another computer, this might do the trick…

    https://decklink.com/products/videorecorder/

  • John Pale

    February 6, 2009 at 9:38 pm in reply to: Calculating TRT Non-Drop Seq to Drop master tape

    I think he knows the overall duration, he just needs the segment times for his slate.

    Your idea will still work though, if he adds edits to the slug where his segments start (or end).

  • John Pale

    February 6, 2009 at 9:35 pm in reply to: Moving Audio in FCP Timeline

    The page I gave you has step by step instructions of what you asked. It doesnt talk about hardware at all.

    You are on FCP 6.x right? English? I know the page number might be different in other versions of the manual.

  • John Pale

    February 6, 2009 at 5:39 am in reply to: A tricky HDCAM question for the over-clever folk here

    You busted your butt making a whole series of shows and now you want to take the finished product and do a makeshift standards conversion….take a deep breath…if you have any way of affording it, get it done right.

  • John Pale

    February 6, 2009 at 5:27 am in reply to: Multiple Viewer windows in FCP S2?

    You might want to look in the manual for Multiclip sequences. This might be a way to make multiclip work for you.

    and yes, you can still have multiple viewer windows.

  • John Pale

    February 5, 2009 at 5:14 pm in reply to: HD clips dragged into timeline show up as unrendered

    Drive specs?

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