Forum Replies Created

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  • Check your sequence settings for the compositing option. Try un-checking “composite in linear color.”

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    December 3, 2018 at 5:01 pm in reply to: Interesting Export Issue

    How are you watching the exported files? There’s a widely-known issue with QuickTime Player, where levels are not displayed properly. Using another player (try VLC) will show you a more accurate representation of the levels.

    What was the codec in the MXF files?

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • Absolutely. But for the material already in the can, editing will be smoother with ProRes proxies or full transcodes.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • Do Atomos and BMD recorders perform conversions to existing media files? Maybe Melvin is referring to using one of those as an actual recorder, rather than recording internally. Doing so would save transcode time, but add some bulk to your shooting rig.

    Otherwise, you just transcode from camera originals to ProRes or DNx. As mentioned, the files will be very large, but will scrub and edit smooth like buttah.

    The other option, of course, is to create proxies of all your h265 originals and edit with those low-overhead files I like ProRes Proxy, but LT is also good. When you’re ready for grading, you turn off proxies, plus all your exports (as long as your high-res media are still online) will reference the original media.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    November 15, 2018 at 3:44 pm in reply to: Where is it?

    You could try:
    https://nofilmschool.com/2018/09/14-new-features-better-editing-premiere-pro-cc-2019

    Not really training, but:
    https://helpx.adobe.com/premiere-pro/using/whats-new.html

    Or just google Premiere Pro 2019 New Features and see what you can find.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    November 15, 2018 at 3:41 pm in reply to: Best choice for downloading archival footage?

    Then you may want to transcode to Cineform, ProRes or DNx for smoother editing. Long-GOP codecs like h264 take a lot of processing to edit and play back, so if you’re going to use a lot of them, making new files for editing might be worth checking out.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    November 15, 2018 at 3:37 pm in reply to: Premiere v12.1 – not showing out of sync

    Maybe look in Preferences > Timeline:

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • Can’t you just sort the bin, multi-select the clips and drag them all to a timeline?

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    November 6, 2018 at 3:01 pm in reply to: Multicam Audio Switching Problem

    Try this: with your multicam viewer active, right-click in the multicam viewer and choose Multi Camera Audio Follows Video

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • In CC18, Essential Graphics clips don’t function as clips. When you create one, it doesn’t show up in any bin – it just lives on the timeline. You can’t even drag it from the timeline into a bin. So I wouldn’t expect it to function as normal clips do.

    I just opened CC17 and did a test, where an EG graphic was draggable to a bin. But this seems to have changed in CC18.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

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