Forum Replies Created

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  • Was this project started in 13.1 or did you update mid-project? I’ve seen questions about this behavior on other boards, and in those cases, the software was updated mid-project. Re-analysing the stabilization was the solution, making me think there’s something about Warp Stabilizer in 13.1 that’s marginally different than previous versions.

    Just a thought.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    April 15, 2019 at 8:31 pm in reply to: Question: 4K Sequence – Zoom in and export 1080

    But even in HD, I routinely enlarge to 105%-110%, or even larger, with quite acceptable quality (“acceptable” being subjective) depending on your video’s final destination. So you should be able to make minor framing adjustments in 4k or UHD with little ill effects. For example, if a handheld shot is not quite level, you can probably enlarge it enough to rotate the shot a few degrees. It just depends on how unreasonably finicky you are about quality.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    April 15, 2019 at 8:26 pm in reply to: Raw Video Footage Transfers

    It’s also worth mentioning that data transfer off the camera cards should be to TWO hard drives (three is even better). Then when FedEx loses your shipment, you still have a copy on your footage. Ship the second copy after the first one arrives safely.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • Premiere 2019 added the ability to add new instances of Lumetri from within Lumetri, and select which one the panel is looking at. Once you rename them in Effects Controls, its easy to navigate from one to the other.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    March 11, 2019 at 6:22 pm in reply to: Baffled by encoding times for rendered timeline

    “Use Previews” only applies if you’re encoding to the same format as your previews – it doesn’t prevent rendering again. Check “use previews” in conjunction with checking “Match Sequence Settings” at the top of the Export Media dialogue, and your export should go very quickly. (This is called Smart Rendering.) So if your 1080 sequence is set to create I-frame MPEG previews, you’ll get a 1080 MPEG file which you can use to make other files in AME. I set my previews to QuickTime ProResHQ, so when I finished my project, I export using Match Sequence Settings and Use Previews to make a PRHQ master file, and open that in AME to make deliverables.

    https://helpx.adobe.com/premiere-pro/using/smart-rendering.html

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    February 28, 2019 at 3:22 pm in reply to: Merging Clips a Frame Off

    Not really an answer, but for what it’s worth, I think the conventional wisdom these days is that Merged Clips can be problematic in all kinds of ways. This is especially true if you plan to send your project for audio post. Many users would tell you the better workflow for second system sound is to use Multicam instead, and either flatten all the multicam before sending your project off or edit using the “no-nest” setting.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    February 28, 2019 at 3:15 pm in reply to: Muted colors in Color Libraries

    This has puzzled me as well. I thought it was a CMYK/RGB thing, but I just made some RGB colors in AI and they’re still grayed out in Pr. So I searched on the Adobe Forums:
    https://forums.adobe.com/message/10833844#10833844

    The “correct answer” says it’s not a bug but “by design.” The way to see colors in full is to make the palette into a graphic in Photoshop.

    Seems clunky. I hope they “redesign” this “feature.”

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    February 27, 2019 at 3:35 pm in reply to: Premiere Pro appears to be lowering footage quality

    You might check to make sure your playback resolution is set to Full (lower right of timeline viewer, next to wrench icon). Also double check the Paused Resolution to make sure you’re getting the full image.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • You could put a Color Matte on one track and the AI file on another, and use Track Matte Key on the color matte pointing to the track with the AI file. To make that less clunky to work with, nest those two clips together.

    Or hey – if you have the full CC subscription, open the file in Illustrator. ????. Just kidding – I can see the need for being able to change it from within Premiere.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

  • John Heiser

    February 19, 2019 at 9:38 pm in reply to: “Green Screen” on Program/Source Monitor Issue

    Other forums I’m on, users point to a GPU problem when this pops up. There are a lot of Windows users out there who need to update their GPU drivers. You might make sure there isn’t an update available that didn’t get installed alongside Mojave.

    John Heiser
    Senior Editor
    o2 ideas
    Birmingham

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