[John Fishback]

Another option is to mount a card reader in your Octo. This way you don’t tie down the camera to the edit system, and it may be faster. You can use P2 Genie to make the off-load process very fast and easy.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

Sorry, should have referenced the thread below, not above: “how to p2 on documentary..manpower”

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

Barry, can the naming be done from the remote control unit or only at the camera? It would be great if someone would come up with a way to do this with a bluetooth keyboard.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

As I mentioned above, we use FCP and our P2 workflow is very fast. However, it depends on a person in the field dedicated to off-loading P2s while the shoot continues.

And if you use a MBP with a Duel Adaptor, a 16 GB P2 will off-load in 8 minutes, not 16.

For the Exabyte idea, here’s a link to an Imagine Products page re a couple of new Quantum drives that are P2 aware. https://www.imagineproducts.com/quantum.htm

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

Describe in more detail how you’re capturing your clips. Are they from tape, P2 cards, hard drives, etc. What version of FCP are you using?

[John Fishback]

It is much faster than tape. Using FCP’s P2 import, not only is the import faster than real time, once you tell FCP to import a clip you can continue on to the next clip while the first one loads in the background.

Another approach is to use Raylight which allows you to access P2 MXF files directly from a P2 card or hard drive with off-loaded P2 cards without the import step.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

I just finished a project like this. I edited everything in an HD 720 24P timeline. I wasn’t going out to tape so I just exported ref movies and made a SD DVD. In DVDSP you can choose to keep it 4:3 or Pan-Scan so it’s 4:3 or 16:9 depending on the playback unit.

If you want to go out to tape you can drag the sequence (or exported movies) to the SD timeline and render. You’ll probably have to zoom the footage up to fill the frame (which will cut off the sides).

We have a Matrox MXO which is another option. It will downconvert the HD in realtime to component SD which you record. I can’t tell you the quality difference between using the MXO compared to the SD timeline as I’ve never tested this. Most of my clients want DVD, not tape. But visually, the SD out of the MXO looks terrific.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

My vote is Killer Tracks. They have a dozen or more libraries. Check them out at https://www.killertracks.com/launchpage/KillerTracks/ Click to enter then choose Killer Trackfinder and you can search the library.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

Are you capturing from the camera or deck that recorded the material? Sometimes things get out of alignment and the tape will only play in the original camera or deck.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN

[John Fishback]

Check out this link: https://www.digital-heaven.co.uk/automotion/ I believe it may do what you want.

John

Dual 2.5 G5 4 gigs RAM OS 10.4.8 QT7.1.3
Dual Cinema 23 Radeon 9800
FCP Studio 5 (FCP5.1.2, DVDSP4.1.1, Comp2.3, STP1.1, Motion 2.1.2)
Huge U-320R 1TB Raid 3 firmware ENG15.BIN
ATTO UL4D driver 3.50
AJA IO driver 2.1 firmware v23-28
Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neuman U87s, Genelec Monitors, PrimaLT ISDN