Forum Replies Created

Page 294 of 338
  • John Fishback

    September 26, 2008 at 9:45 pm in reply to: P2 Duel Adapter Transfer times?

    We use a MBP and Duel to offload media in the field. We’ve been using P2 Genie, but have just purchased Imagine Products P2 Shotput. Typically, a 16GB card takes 8 minutes to offload. We use a G-Safe mirrored RAID plus another drive and offload files to both simultaneously. Either P2 Genie or Shotput allow you to set up naming conventions so you have Project Name_001, 002, etc. stored to the drives for each P2 card.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
    ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 26, 2008 at 7:51 pm in reply to: sound blankets manufacturer

    Try Googling mover’s blankets or mover’s pads. That’s what we use.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
    ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 26, 2008 at 7:48 pm in reply to: Removing Echo

    Unfortunately, there’s nothing you can do to remove the echo unless you know someone at the NSA :). However, using EQ to reduce certain frequencies where the echo is most predominant might help. Select the clip you want to filter then AUDIO FILTERS > APPLE > AUGraphicEQ. Double-click your clip and open the Filter Tab in the Viewer. You’ll see many sliders you can tweak to try to reduce the echo. Start by cutting the low freqs and try boosting 3150Hz to 5kHz. You have to experiment because each space is different. You’ll not remove the echo. Hopefully, you can reduce it’s effect.

    If you find settings that help, apply them to all your clips. Good luck.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
    ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 19, 2008 at 9:35 pm in reply to: offsite Client Video Editing Review

    If you’re talking about doing this in real time, try a Slingbox. It’s cheap and it works surprisingly well. You use the Slingbox and your client downloads the Slingbox client to their computer. However, there can only be one computer watching the slingbox at a time. For more viewers you need more Slingboxes. I read an article a few months back that mentioned Slingboxes are being used in Hollywood to show dailies. The picture with the article showed a rack of 16 or 20 Slingboxes.

    https://www.slingmedia.com/go/slingbox-solo-tour

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
    ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 18, 2008 at 4:07 pm in reply to: Client monitor/HD thru SD firewire?

    Another option is using the MXO.

    https://www.matrox.com/video/en/products/mxo/

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 2600 XT
    ATTO ExpressSAS R30F RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 12, 2008 at 5:07 pm in reply to: HPX-500 and Firestore

    Our experience with the 500 and DVCPro50 is outstanding.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 2600 XT
    ATTO ExpressSAS R30F RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 12, 2008 at 4:51 pm in reply to: Technical Information on the Back of DVD covers

    If you have a DVD printer, usually, they include a DVD logo that’s similar to the “official” one. Our Bravo printer comes with Sure Thing CD Labeler and it has their version of the DVD logo.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 2600 XT
    ATTO ExpressSAS R30F RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 6, 2008 at 4:20 am in reply to: Best format for web play?

    The following link is to an excellent article comparing a number of web video codecs.

    https://digitalcontentproducer.com/videoencodvd/revfeat/encoding_best_practices_0609/index1.html

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 2600 XT
    ATTO ExpressSAS R30F RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 2, 2008 at 1:35 am in reply to: audio lags after ac3 conversion

    I just did the same kind of edit with Streamclip. Make sure you use the Fix Timecode Breaks option. That should fix amy time issues. It did for me.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 2600 XT
    ATTO ExpressSAS R30F RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

  • John Fishback

    September 2, 2008 at 1:14 am in reply to: Clap Spikes; Limiter doesn’t fix it

    I do most of my challenging audio work in Pro Tools and don’t have a lot of experience with the FCP audio tools. Basically what you want to do is make the compressor respnd quickly, so lower the Attack of the compressor. You want to adjust the Threshold up and the Compression Ratio way up. With a high threshold the compressor won’t operate until the sound is very loud. With a high compression ratio the compressor will crush the sound when it exceeds the threshold. The low attack setting makes it respond very quickly.

    John

    MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 2600 XT
    ATTO ExpressSAS R30F RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
    24″ TV-Logic Monitor
    Final Cut Studio 2 (up to date)

    Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

Page 294 of 338

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