offsite Client Video Editing Review

[Shane Ross]

Sure.

Two drives with identical footage and file structure and name. You have one, the producer has one. Send the project file to them, or an XML of the cut.

Post the cuts online for client review.

Shane

GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
Read my blog, Little Frog in High Def

[John Fishback]

If you’re talking about doing this in real time, try a Slingbox. It’s cheap and it works surprisingly well. You use the Slingbox and your client downloads the Slingbox client to their computer. However, there can only be one computer watching the slingbox at a time. For more viewers you need more Slingboxes. I read an article a few months back that mentioned Slingboxes are being used in Hollywood to show dailies. The picture with the article showed a rack of 16 or 20 Slingboxes.

https://www.slingmedia.com/go/slingbox-solo-tour

John

MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.4 QT7.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID
24″ TV-Logic Monitor
Final Cut Studio 2 (up to date)

Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN

[David Bogie]

There are innumerable proprietary solutions. We use Wirecast sometimes. Not often enough to like it. Depends on what you need for rez and your idea of interactivity since it’s getting pumped over the Internet in non-real time.

bogiesan

This is my standard sigfile so do not take it personally: “For crying out loud, read the freakin’ manual.”

[Ed Dooley]

https://www.xprove.com/
Ed

[Walter Biscardi]

We use Media Batch for all our clients, even those right here in town.

Walter Biscardi, Jr.
Biscardi Creative Media
HD and SD Production for Broadcast and Independent Productions.

STOP STARING AND START GRADING WITH APPLE COLOR Apple Color Training DVD available now!
Read my Blog!