Forum Replies Created

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  • Joey Burnham

    February 27, 2009 at 7:14 pm in reply to: fields problems between AE – FCP

    [Dave LaRonde] “You can then drag the file onto the Compressor icon, and choose the least amount of compression possible to make the MPEG2 file (m2v)– don’t forget you’ll also need to make an audio file in Compressor to use when you author in DVD Studio Pro.”

    DO NOT set you max bit rate to be higher than 7 mbps. Encoding at too high of a bit rate can cause a ton of problems. Many dvd players will not be able to keep up.
    Joey

  • Joey Burnham

    February 27, 2009 at 7:10 pm in reply to: How to do this effect

    Or if you have BCC you can do a BCC Directional Blur on the red and blue channels.
    Joey

  • Joey Burnham

    February 25, 2009 at 7:00 pm in reply to: frame rates… shoot/edit @ 23.976, deliver 29.97

    I think this depends on how picky you are about quality. I would follow Dave’s 1st suggestion and do everything at 23.98 and master to whatever HD deck you have. Then send it to a post-house for a proper downconversion. I might get pounced on for this but I do have a Kona 3 and whenever I need to do a downconversion for broadcast I send it out to a facility with a teranex or something similar. The Kona 3’s downconverts are quite sloppy.
    Joey

  • Joey Burnham

    February 23, 2009 at 6:54 pm in reply to: Frame Rate Problems with Quicktimes- and now a newbie!

    What they are saying should definitely solve your problem. I have found that if I create a new comp using the the preset for 23.98 (24), I have to manually change the frame rate to 23.976
    If I drag 23.98 footage to the make new comp button (my usual M.O.) it creates a new comp at the right frame rate (23.976)
    joey

  • Joey Burnham

    February 17, 2009 at 9:40 pm in reply to: Lossless-edit of .MOV-files

    how about an NLE?

    🙂

  • Joey Burnham

    February 17, 2009 at 9:39 pm in reply to: Online Editors Salary.

    They probably have a graphics department because it’s just another service that they provide. But if you are finishing spots / trailers / etc, all graphics are provided by the creative vendor who designed them. All you do is plop them in.

  • Joey Burnham

    February 13, 2009 at 7:24 pm in reply to: Various Video Formats

    They will just run all the video stuff through a Teraxnex or something similar and you should be fine. For the film you will need to have that telecined out. What is your location?

  • Joey Burnham

    February 13, 2009 at 6:44 pm in reply to: Various Video Formats

    What’s your budget? Makes a world of difference. If you can afford it have a post house transfer everything to the format you are mastering in. There are a host of issues with the transfers but if you choose a professional post house they will have the proper converters and staff to do a good job.
    Wanna do it yourself? Not gonna be fun. Someone else will chime in though on the specifics of that.
    Joey

  • Joey Burnham

    February 13, 2009 at 1:40 am in reply to: inverting

    looks like it. But the key is not great anyway. There’s quite a border around the people most of the time. Maybe he had them wear clothing completely opposite the environment and did an autotrace off a junk matte. ?

  • Joey Burnham

    February 6, 2009 at 7:36 pm in reply to: need urrgent help – render failed

    have you tried rendering out as an image sequence?

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