Forum Replies Created

Page 40 of 55
  • Check for an update for the Blackmagic card.

    Bars & Tone
    SALUTE!

  • Joe Barta iv

    January 7, 2014 at 4:07 pm in reply to: Premiere Pro Plugins

    FilmImpact is a must have. Very useful in a variety of productions.

    Bars & Tone
    SALUTE!

  • Joe Barta iv

    January 6, 2014 at 7:01 pm in reply to: De noising and Sharpen Question

    Select OPTIONS in the neatVideo plug-in. That will open up the program. Then select Auto-Profile, then OK. Then you should see a difference back in FCP when you switch it on and off.

    https://www.neatvideo.com/files3/NVFCMQSG.pdf

    Bars & Tone
    SALUTE!

  • Joe Barta iv

    December 2, 2013 at 5:03 pm in reply to: Adobe PP – Stereo/Mono Audio Issues

    If it is showing on both sides of the audio meters in PP, then it should export that way. Try some other export presets to see if you get the same audio results.

  • Joe Barta iv

    December 2, 2013 at 3:16 pm in reply to: Adobe PP – Stereo/Mono Audio Issues

    When your clips are in a BIN, highlight them, then go to top menu CLIP, Modify, Audio Channels… In the Audio Channels tab change the Preset to MONO. This will put each audio channel in its own track and it will be centered. Then apply them to you timeline.

    Bars & Tone
    SALUTE!

  • We’ve had it for a couple of years now. Not always the best selection, but it does pay for itself with just a couple of quick downloads in a pinch.

    Try signing up using a different browser. Web site aren’t always compatible with all.

    Overall, the $99 subscription is a great deal.

    Bars & Tone
    SALUTE!

  • Joe Barta iv

    November 22, 2013 at 8:02 pm in reply to: Premiere Pro training

    https://www.lynda.com

    Bars & Tone
    SALUTE!

  • Make each word its own title graphic. Put each one on a separate track and bring them on as desired.

    Bars & Tone
    SALUTE!

  • Joe Barta iv

    November 19, 2013 at 3:12 pm in reply to: Advice on Looks Plugin – Time Sensitive

    Magic Bullet Looks is a fantastic tool, it is fast when making adjustments and very intuitive on the learning curve. Beware! MBL adds a significant amount of time to your FCP rendering. There is no way around it.

    In some of our FCP workflow we would establish the color correction and Look that we wanted, then turn off the MBL filter in each clip until we were ready for the final render. In other workflows, we would do the basic color corrections with the Three-Way in FCP, then export the final edit timeline as a .mov and bring it back in to a different timeline. Then we would apply Looks to the entire clip or slice the clip up into a few sections that would need special treatment.

    We’ve since moved over to PremierePro where you can add MBL in an Adjustment Layer and switch the track off/on as needed. Much easier to play with in PP. It still slows down final rendering in PP because it does not use the graphics acceleration card, just the CPU like FCP.

    Bars & Tone
    SALUTE!

  • Joe Barta iv

    November 12, 2013 at 9:48 pm in reply to: assistant editor’s question
Page 40 of 55

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy