Forum Replies Created

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  • Job Ter burg

    May 5, 2014 at 5:27 am in reply to: Avid can’t match FCP 7 quality

    And the source file is 1920×1080?
    When you say you AMA-link and then export Same As Source, do you first consolidate at any point (methinks one cannot export AMA-linked sources Same As Source).

  • Job Ter burg

    May 4, 2014 at 7:21 pm in reply to: Avid can’t match FCP 7 quality

    Where are you determining that difference? Source/Record monitor? Full Screen Display? Quicktime Player?
    In 6.5 and later, ProRes is a native codec, so if you fast import it or AMA-link & consolidate it, then export Same As Source, not a single thing about the source will be changed. This would be 100% transparent.

  • Job Ter burg

    March 24, 2014 at 11:59 am in reply to: QT Codecs needed for Avid MC7

    The Custom options in the QT export just reflect whatever Quicktime codecs are installed on the system. The Avid QT codecs are just that, Avid JFIF and DNxHD codecs for use in Quicktime.
    Generally speaking it is much smarter to export a Quicktime Reference or Quiktine Same As Source, then use a 3rd party encoding application (MC comes with Squeeze, but there are many more options). MC is not an encoding app, it just uses the QT engine that I don’t think is the greatest.

  • Job Ter burg

    March 20, 2014 at 9:35 pm in reply to: Cant Transcode to Prores4444 only ProresHQ? (MAC)

    And ypu should then export the result Same As Source. Don’t do a Custom export to ProRes 4×4, as it means a needless re-encode using the Quicktime export engine.

  • Job Ter burg

    March 14, 2014 at 7:20 am in reply to: Exporting Multitrack Avid 6.5

    Your ‘workaround’ is the very best method. Fast too. Best because the transcode to ProRes inside MC keeps correct gamma and luma levels, unlike the conversion to ProRes 422 in the Custom Export options (which is actually just using the Quicktime encoder). Fast, because the transcode inside MC can use multiple cores.

  • Different version numbers, though, Michael. Pretty sure that Xpress Pro 5.8 was the same core software as Media Composer 2.8 and Symphony Nitris 1.8.

    Hardware compatibility for XP5.8 would then match those for MC2.8.

  • Job Ter burg

    February 18, 2014 at 7:50 pm in reply to: RGB or 601 to Broadcast

    Selecting RGB _does_ force a remap!
    https://www.jobterburg.nl/Publications/601_709_RGB.pdf

  • Job Ter burg

    February 10, 2014 at 10:58 pm in reply to: Avid MC 7 & Davinci Resolve 10 workflow question

    Ah, yes, that is what I meant.

  • Job Ter burg

    February 10, 2014 at 2:24 pm in reply to: Avid MC 7 & Davinci Resolve 10 workflow question

    I’d strongly recommend against data wranglers doing the syncing. Way safer to have that done in editorial.

  • Job Ter burg

    January 30, 2014 at 8:09 am in reply to: Trim to blue line?

    It’s called Extend, and there’s a button for it that looks sort of like this

    >|<

    However, I think you will need to have a Mark In or Mark Put placed, so that MC knows in which direction you want to trim the cut.

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