[Jeremy Garchow]

Turn on snapping.

The ‘n’ key toggles this function.

[Jeremy Garchow]

[Erik Lindahl] “Decomposing these compound-clips tends to be a manual / time-consuming process.”

Andreas Kiel/Spherico has a tool that removes effects out of an fcpxml and that will mostly get rid of the compounds in Resolve, but unfortunately it doesn’t work on Mojave. (X-FX Handler) https://www.spherico.com/filmtools/X-Files/X-FXHandler/

Resolve will still make Compounds out of retimed footage though.

For now, removing effects in fcpx before exporting the XML helps.

Even so, the XML jockey of X to Resolve and back is not perfect and does take some work and foresight.

[Jeremy Garchow]

Try the fisheye filter in negative values.

[Jeremy Garchow]

If you haven’t done it already, you have to open a project, then the controls will light up.

[Jeremy Garchow]

[Shane Ross] ” I see SPLIT CLIP, but still no ways to mark in and out. Might take some learning.”

Command-e is your friend in QTX.

[Jeremy Garchow]

I wish FCPX has this too, bit for archiving necessarily, but for trimming for sending to color grade in other applications outside of Resolve.

Ironically I use Resolve to trim but the process is tricky and clunky. Worx4X would be great but it doesn’t trim MXF media. This means I would have to transcode everything first and then trim the transcodes, which is a huge time suck.

This is one area where FCPX is not the greatest. A straight forward way of trimming media with handles to a common codec would be amazing.

[Jeremy Garchow]

There’s another command to set so volume to a specified level. Modify > Adjust Volume > Absolute and then type a value (like -6 or whatever will work for you).

[Jeremy Garchow]

I thought it looked great. Lots of tension, lots of not-knowing, lots of always darkest before the dawn. The use of light, with the Dothraki fire swords extinguishing one by one, the blue glowing eyes of the Dead was well used.

I can’t imagine Producing, Directing, planning a show of this magnitude. It always blows my mind when I really stop and think about it. I am in the middle of organizing 5 :15 spots over 2 shoot days and my hair is a little more grey each day! 🙂

[Jeremy Garchow]

[Richard Herd] “What was the editor and colorist seeing?”

Snow.

Jon Snow.

Because, you know, Winter Finally Showed Up.

[Jeremy Garchow]

It also loos like you are grading from the Log footage in Pr, and you may have a LUT on in FCPX. If you turn the LUT off in FCPX, you may find the behavior to be similar. Open the inspector, select “Settings” from the drop down in the lower left corner of the inspector window, and change the “Camera LUT” setting to “none”.

Jeremy