Forum Replies Created

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  • Jeremy Garchow

    September 17, 2020 at 3:22 pm in reply to: QuickTime Pro Replacement

    Welcome back! 2012, in the heat of the debate. Everything has changed since then, and also nothing has changed.

    I’d have a look over at Video Tool Shed: https://www.videotoolshed.com

    Or Digital Rebellion Pro Media Tools: https://www.digitalrebellion.com/promedia/

    There’s also Telestream Switch: http://www.telestream.net/switch/overview.htm

    They all have different capabilities with some overlap. It really depends on what you’d like to do.

  • Jeremy Garchow

    September 17, 2020 at 1:01 pm in reply to: Bouncing project Error -41562

    Sweet. Nice work.

  • Jeremy Garchow

    September 17, 2020 at 1:00 pm in reply to: Changing a luminance colour exported from C4d

    No, Motion is a separate purchase for $50 US.

  • Jeremy Garchow

    September 16, 2020 at 9:09 pm in reply to: Changing a luminance colour exported from C4d

    There isn’t a built in effect, but one could easily publish the “Channel Mixer” effect from Motion that would be essentially the same as Set Channels in Ae with RGBA switching. Here’s what it looks like:

  • Jeremy Garchow

    September 16, 2020 at 11:21 am in reply to: Bouncing project Error -41562

    Try removing the quotes and colon from the file name, and try again.

  • Jeremy Garchow

    September 11, 2020 at 2:25 am in reply to: NAB said WHAT?

    Me, I’m wondering if NAB has experienced their “Sony tsunami” moment, and just not realized it yet.

    I think there are a lot of things that are experiencing a Sony Tsunami moment.

    The rush to digital remote has been accelerated. Literally, today, I just got Gigabit fibre installed in my home for cheaper than the 120Mb down 12Mb up that was nearly twice as expensive as this Gig fibre. With remote learning with our son, lots of transferring big files by me, and nearly constant Zoom and Teams meetings with all of us, our internet was crippled. It would literally kick all of us off four times daily in the middle of the work/school day. It’s a bunch of hot garbage.

    That’s not the story, the story is that the technician, who was very good an knowledgeable, and helped to clear what I would imagine is about 40 years worth of of coax out of the way to make room for the tiny fibre, was having trouble getting the modem to light up. Signals were good, everything was good all the way in, but the modem wouldn’t respond. He then tried another modem with the same results, he then went down the street to make sure that the junction was hooked up correctly and it was, so then he called the home office. What wasn’t on the install ticket was some sort of fibre termination box. Turns out the fibre termination box is 10Gb hardware. So fibre comes in to the house, goes to this 10Gb terminator, then ethernet out to the modem via 10Gb. Right now, it’s a 1Gb connection, but there’s 10Gb supposedly coming. WTF? That means I’d have 10Gb to home from the office 10Gb. That means (in theory) I could VPN in to the office and edit with the files in the office, from home.

    I don’t know if that’s a good thing or a bad thing, but it seems like it would change a few things.

    We are speccing shoots are there will be zero client and agent on set, but rather they will be in video village at their respective homes while we stream the set back to them. We are speccing out shoots where none of us will be there, and all of us will be viewing remote while we direct talent who is also setting up the lights, camera, and audio that we have shipped them.

    Will these types of scenarios last forever? I don’t think so, but what will happen as a result of this rush to remote? What will stick? What will our clients have learned? Certainly, some forms of production will change forever.

    This is a long way of saying, that I can’t imagine that NAB would remain the same as it ever was, because nothing will be the same as it ever was. I don’t see how things get better in time for 2021, even later in 2021 (~a year from now). There have been lots of things that companies have been forced to adopt and overcome and I imagine having two trade shows near each other in time, and far form each other in space will be another year of doing things differently than have been done before out of pure necessity. It’ll be great, it’ll be terrible.

  • Jeremy Garchow

    September 9, 2020 at 2:53 pm in reply to: mTracker 3D

    Here’s a tutorial that shows a little more in how it works.

    https://youtu.be/4kJrBisCWTI

  • Jeremy Garchow

    September 8, 2020 at 5:41 pm in reply to: Drone Insurance
  • Jeremy Garchow

    September 3, 2020 at 3:44 am in reply to: mTracker 3D

    I’m interested too.

    It says it works in fcpx, but seems like Motion would be a better candidate for compositing.

    The preorder seems like a lay-up, but wondering how it actually works.

    One click track? I’d say no way. 🙂

  • Jeremy Garchow

    September 2, 2020 at 1:39 am in reply to: FCPX 10.4.9 is out!

    [Oliver Peters] “Is this a new feature? Select any project in the browser and hit the space bar. It loads that project directly into the timeline and starts playing in the viewer. Never saw that before.

    This was something that was present on Mojave, but not Catalina, and it now seems to be back.

    I welcome it!

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