Jeremy Garchow
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Forum Replies Created
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Here’s the link: https://support.apple.com/en-us/HT201237
There’s also a Pro Video Format Update to go along with it (which probably fixes the codec issues).
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– Fixes an issue in which XAVC media from the Sony PXW-FX9 camera is not recognized
Woot!
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Proxy preferred means you can mix proxy media when it’s available, and full res media, when proxy media is not available. Before, it was one or the other.
The warning you are getting with the 3x share appears to be a bug.
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Yes. FCP7 does not like mp4.
Also, what’s the frame rate of your timeline and incoming clips? FCP7 wasn’t very good at mixing frame rates, either.
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Here’s a picture. You can see that I added a Pr444XQ preset, but once everything is set to passthrough and added in and out points on the clip, I am getting the same codec as the incoming clip (in this case XAVC, Class 480).
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Hmm. I don’t have to do that here. Have you added a preset to the video? Any preset will do.
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No problem! Make sure you do the same for audio too. 🙂
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Do you know if it’s now possible to export clips without re-encoding with Adobe’s Media Encoder or Apple’s Compressor and keep timecode?
Yes. Load the clip in to Compressor. Select any preset (like a ProRes preset) and apply it to the movie. Mark an in and out, select the Video tab and select “Video Passthrough”, move to the audio tab, and choose “Audio Passthrough”, Name the output, and start the batch. This will very quickly create a new file that is bound to the ins and outs you set in the Compressor interface.
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Another thought is that you could use Compressor, set an in and out, and set both audio and video to passthrough to get new clips with TC.
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I would try Switch. There’s a demo for it.
