Jay Lee
Forum Replies Created
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Thanks for clarifying Luke. Resolve + graphics cards a worthing upgrade however compounded with a new macpro not so much.
Pity…….Apple Color serves us well except tragic blurs in FX room. Off-sets pixels instead of a nice organic looking gaussian type.best,
j
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Many thanks guys…….sad but true it seems.
Cheers,
J
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Thank you Robbie.
j
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Guys is it possible to run 2 x Apple displays with this configuration?
Best,
J
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We find the Compressor ‘Reverse Telecine’ feature hit and miss with edited footage. Technically it should asses each section of a cut and remove the appropriate cadence however more often than not we end up in AE doing it manually.
For un-cut sequences (that tend to have only one consistent cadence) it’s great.Cheers,
J
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Thank you for your response Fred. Would you care to elaborate. No mention of this BIOS setting in regards to Mac OS X systems?
Regards,
J
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Thanks guys……..these DPX sequences headed straight for Color and then back to AE. Not sure Glue Tools as a one time only investment would fly.
Peter text edit tip helpful thank you.
The question still stands though………if in AE we have a section of a larger DPX sequence residing in a composition is there away to determine its actual range of frames?Cheers,
J
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Hi Chris,
Thank you for your response. Yes……..these settings a good place to start however a particularly intimidating dialog box/settings that have the potential to do more harm than good.Instead of rendering out the DPX sub-sequences is there a way I can determine in AE what frame range the DPX clip is and then simply extract those frames from the master sequence with a simple copy and paste in the OS explorer??
Cheers,
J -
Thank you for your reply Andy.
Yes this approach was considered however client specs HD HQ delivery so footage shot as such plus my Skype connection too good.Regards,
J
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Ha…….yes indeed Mark. None the less appropriate for this little short piece which is actually a picture in picture skype conversation that needs glitches.
Thanks,
J