Hover your pointer to the right of the Audio Analysis to reveal “Show”. If it it a Dual Mono clip, then select one Audio Component (=channel) first to reveal the Audio Enhancement tools.
You need to select a audio component (=track) first in the Audio Inspector to apply Voice Isolation effect. The Voice Isolation works on audio track basis.
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Actually I’m just trying to figure out how Premiere handles Rec.2020. As I teach both FCP X and Premiere Pro it has come to my interest how they both cope with the future color space. Especially when a student using Premiere Pro says it has been supported in PPRo since 2015.3 release. He could not give me more details about it though. I found it hard to find any facts on Adobes site or elsewhere about the matter. Apple has a pretty straight forward White Paper about the Rec.2020 workflow in FCP X.
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First of all you can synchronize video and audio in FCP X as well. There is no need to detach audio to manipulate different channels. Select the clip either in the browser or in the timeline and go to Inspector and select the Audio tab. There in the Channel configuration you can make them separate by choosing dual mono and also disable the track you don’t need. You can also increase the volume in the inspector. And get some basic training.