James Reid
Forum Replies Created
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Addendum:
If you are using FCP Attic or FCP Rescue and have backed up while
MXO was installed, then you refresh your FCP prefs after you uninstall
MXO, they will all come back.
(I had this problem with old Decklink setups after I installed my Kona LH) -
[Tom Wolsky] “they are not in /Library/Application Support/Final Cut Pro System Support/Custom Settings.”
Are you sure?
I have folder in there with 49 presets. -
Apple has posted this info today:
“Final Cut Pro 6: HD ProRes 422 capture requires Mac Pro”
more here:
https://docs.info.apple.com/article.html?artnum=305582
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Something like the Matchbox from Henry Engineering would take the unbalanced low level
from the RCA outputs and provide the high level balanced XLR outs suitable for the LH.https://www.henryeng.com/matchbox.html
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You’re still stuck with the fact the inputs to the HD10AVA are balanced XLR connectors.
Unless you have a pro camera, the outputs are always RCA unbalanced. -
Checked this out both on product page and Manual.
Audio choices are only +10dBu, +12dBu, +18dBu, +24dBuHD10AVA produuct page:
https://www.aja.com/html/products_converters_HD10AVA.htmlHD10AVA manual:
https://www.aja.com/pdf/support/manuals_conv/AJA_manual_HD10AVA.pdf -
Oops, my mistake, the HD10AVA only has balaqnced XLR inputs.
Any suggestions? -
The LH only has only balanced analog audio XLR ins and outs.
Wouldn’t the OP need a balancing box to amplify the camera’s RCA outputs
from consumer -10 db up to line level balanced, or the AJA HD10AVA
which takes the component video and unbalanced audio and outputs
an SDI stream for the LH? -
Good questions. We need someone from AJA to fill us in here.
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[JR-Links] “selecting an LH monitor setting”
Just realized that my subject title should not have included “monitor”.
I wanted say “colorspace” but had “monitor” on the brain after just
having checked out latest LCD prices on the Apple site.