James Cude
Forum Replies Created
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It’s more likely you’re accustomed to the way they look in FCP7. You can search through the past 2 years of FCPX discussion on this board and I’ll bet you won’t find another discussion calling out the dissolves in X as somehow ‘wrong’. That said, you can certainly do some searching for other dissolve plugins that might give you the more or less additive mix that suits your personal taste.
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That doesn’t make much sense. You’re saying you get an XML from Premiere- they are not really compatibile so maybe you’re getting an FCPXML somehow? Then you have ProRes clips that appear with no audio on a project timeline- also doesn’t make much sense. Post some screenshots please.
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What are the formats involved? Do they have matching timecode already?
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No doubt they are night and day different under the hood as well- not sounding argumentative but what is your point? No one anywhere is saying every edit made in FCP7 is going to be 1:1 identical in every way to one made in X (or any other NLE for that matter).
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VRAM is the factor that most affects the perceived performance. You need at least 1GB VRAM- anything less and you’ll feel it every time you make an edit, render, or export. Then RAM- 8GB at a minimum to keep things moving along smoothly. Less than that and you’ll face a lot of beachballs and generally speed hiccups.
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Zapping NVRAM/PRAM may also help- https://support.apple.com/kb/ht1379
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Have you already tried the built-in stabilization enhancement?
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You can’t enter RGB values directly in X, but Applications>Utilities>Digital Color Meter might help you get the correct values with a little trial and error.
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You can’t… but Resolve should handle this fine. The only current LUT support in FCPX is for ARRI Alexa Log footage.
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