Jake Hawkes
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THank you Mike!!!
I will give it a shot.
Gravnetic Production
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Moocycles@hotmail.com -
It was recorded in Pn, but then again everything I have ever recorded with my HVX has been Pn…
As far as I am aware Pn is just related to the aquisition, but doesn’t effect editing what so ever…unlinke 29.97 vs. 24 and all the 3:2 pulldown issues.
I didn’t understand what you meant by preview with Kona / Blackmagic and the issue would rear its ugly head. Seems to me that it should show up in my preview/render files, but it doesn’t.
If I shoot 2fps Pn then it is just laying down 2 frames next to the previous 2 frames captured in a 24fps or 29.97 fps format.
Hmmm…I am not very stoked about the multiformat timeline and these issues. Renders take so long just to find out they didn’t work. If I start a render and expect a video to be ready Monday and run into these issues and resolve them by Thursday for delivery on Friday well then I am only a week behind every single time I try to do a project, that is n’t bad, Right? Last time it was QT issues causing the system to crash. Oh Geez this sucks!
Gravnetic Production
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Moocycles@hotmail.com -
Sorry, I just don’t buy into that. I am not saying that it should or should not be there…it isn’t which is fine, but on face value it seems to me to be a simple implimentation and takes up very little overhead. I realize it is a feature that has many implications on other components, but hopefully it is on the Apple Pro Apps radar.
I write code all day long and while I don’t have the time or expereience in Apple Application frameworks which you may have, the fact is that vector graphics take up very little in the way of process (CPU/GPU) even if they are animated, and the function for determining the current state and updating via call backs is pretty well documented and straight forward.
The reason I don’t buy it is because Apple does indeed ROCK! When I found out that they had a X86 OS the entire time they were developing for Micro PC I realized right then and there that Apple is love…
Gravnetic Production
You’ve had our patatoes!http://www.Gravnetic.com
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Moocycles@hotmail.com -
Thanks for all the input…
This is and should not be alot of overhead in the most simple timeline viewer. Vector graphics take up so low of an overhead and make them animate is a very simple formula.
Oh well…
Gravnetic Production
You’ve had our patatoes!http://www.Gravnetic.com
1 208 867 8172
Moocycles@hotmail.com -
Because Encore uses a default transcoding settings rather than you being able to identify your own compression rate and mux settings…which are available in Media Encoder with full setting adjustments as in PPro/AE.
All things being equal…all editors need to know as much as possible about Compression/Aspect Ratio/Field Interpolation/Frame Rate. Just stick with it and READ up as much as you can. When you start a project, add assets to a project, or are outputting put on your thinking cap, or ask the COW at each step along the way.
By the way a uncompressed QT setting would be selecting QT as the preset with uncompressed, but you also need to specify NONE.
Kepp reading it is going to pay off HUGE IN THE LONG RUN FOR YOU: https://en.wikipedia.org/wiki/Video_compression
knowing these details will set you apart in an edit even if you don’t know the software.Gravnetic Production
You’ve had our patatoes!http://www.Gravnetic.com
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Moocycles@hotmail.com -
Do you need to apply effects on every clip…IE you could just output a video from PPro with the correct pull down applied and then bring it into AE as a 24p project…and finish this way.
DVD players generally all have 3:2 pulldown built right in. If you are conforming to 29.97 / 59.98 the question I would ask is why?
Gravnetic Production
You’ve had our patatoes!http://www.Gravnetic.com
1 208 867 8172
Moocycles@hotmail.com -
That is why I am asking the question. What is the best solution. I have worked with many of the options and am at the point where there are five different ways to skin this cat.
I can use DV Raylight to transcode the project or output AVI’s…I could use the PP preset for DVCPro HD 1080, but worry that effects and color space reduce lower quality results…I can create my own uncompressed timeline to attempt to get a better color space for applying effects…?
At any rate the question is what is the best Premier Pro settings/solution (I’ll add workflow) when setting up your timeline for editing a rough cut going out to Uncompressed/Intermediate for AE, and then on to BlueRay, SD, and web.
Gravnetic Production
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1 208 867 8172
Moocycles@hotmail.com -
Are you using the preset DVCPro HD settings or a custom “Desktop” preset?
Gravnetic Production
You’ve had our patatoes!http://www.Gravnetic.com
1 208 867 8172
Moocycles@hotmail.com -
As they say over her ein Jackson Hole…SIIIIACK!
So just to round trip this issue for anyone that reads this I didn’t shoot with my HVX200 in the correct Timecode setting, so it looks like I will be doing a manual assembly which is fine because it is only one day.
Besides I have the Scorpions to keep it real!
Gravnetic Production
You’ve had our patatoes!http://www.Gravnetic.com
1 208 867 8172
Moocycles@hotmail.com -
Found it…
It is a tiny little arrow in the upper right corner of the Project Bin Panel. Then clicking Edit Columns gives you the various column options as check boxes.
I sorted by Media End and it looks to be back in order.
This is such a huge timesaver, and really I hand blown off timecode bacause it is a tapless environment.
Thanks for all the help, YOU ROCK LIKE AC/DC in ’78.
The other thing that is getting me are the projects settings, but I will cruise over to the PPro Forum fo that!
Gravnetic Production
You’ve had our patatoes!http://www.Gravnetic.com
1 208 867 8172
Moocycles@hotmail.com