Isazaly Mohd isa
Forum Replies Created
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You can OPEN your Motion project with TextEdit, search for 30 and change the value there and save it. When you open the project in Motion, you will get the NEW framerate settings.
Hope that’ll help you or anyone who needs it.
Isazaly Mohd Isa @ Zalee
Apple Certified Trainer
Malaysia -
Sorry, I didn’t realize the link was the same thing.
Anyway, feel free to comment on it. Cheers.
Isazaly Mohd Isa @ Zalee
Apple Certified Trainer
Malaysia -
I have created an FCP Speed Chart which I use to do Music Videos with, back in 2007. I wanted all my speed change audio playback to have the EXACT PITCH of the original music.
Not sure if this is useful. Anyway, its been tested in a PAL environment. Enjoy!
Download PDF here: https://dl.dropbox.com/u/1686339/speed_chart.pdf
Isazaly Mohd Isa @ Zalee
Apple Certified Trainer
Malaysia -
There might be a “bug” with the L&T window.
I found some workaround that might just work for you here: https://bit.ly/SPv7w
Good luck!
Isazaly Mohd Isa @ Zalee
Apple Certified Trainer
Malaysia -
When I was at NAB2007, the Apple booths used this for 5.1 monitoring to speakers:
https://www.apogeedigital.com/products/ensemble.php
Control surfaces I shall say, go for either TASCAM FW-1884 or Mackie Universal Control, though I never use it myself but had seen it at work.
Cheers.
Zalee
Apple Certified Trainer -
I have a question about 35mm to PAL:
I have with me 35mm (24fps) materials telecined to DVCAM (25fps). The irony is, it was transferred at 24 frames per second speed (wasn’t my doings!), although advisably it should be transferred at 25fps to DVCAM.
In FCP’s timeline, I’ve captured (via DV-PAL settings) and sync-up the audio that was recorded on a DAT at 24fps. Somehow, it maintains sync, even checking it way after a 3 minutes duration clip! No problems.
For your info, I did not do a “conform 25fps to 24fps” in this edit.
All cinematools database are in sync with the burn-in keycode info, frame-to-frame.
1) What kind of problems will I face when conforming back to 35mm?
2) I’ve tried to create a cutlist and notice about +-1 frame difference in some cuts. Was this one of the issue I will face?
3) If I do a “conform 25fps to 24fps” in FCP, the cinematools database WILL NOT maintain it’s “frame-to-frame” relationship with the burn-in timecode. True?
4) Audio Pros haunts me with “FCP can’t get this to sync when goes back to film”. Can I prove them wrong?Any advise from the Film to PAL pros is needed. Thanks.