Illya Laney
Forum Replies Created
-
I’ve seen it done before.
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci 8:8:8 Renaissance
Color
Truelight -
So dynamic and unlimited won’t help timeline playback when a color correction or LUT filter is applied?
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci 8:8:8 Renaissance
Color
Truelight -
Change your timeline to unlimited and dynamic quality for everything but frame rate to make it run smoother.
Unless they changed something recently, ARRI LUTs won’t work in FCP. If you don’t have a means to transcode the material with a LUT baked in, you can throw on a basic 3 way color correction to get the LOG image looking decent. Just push and pull the lift/gamma/gain and adjust saturation until it looks appropriate then save that as a preset. Standard rendering issues apply.
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci 8:8:8 Renaissance
Color
Truelight -
You could use some of the advanced features in Text Wrangler to easily edit your EDL.
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci 8:8:8 Renaissance
Color
Truelight -
prathvish hegde
” had been to one of the demos of arri alexa camera and remember the guys saying that the codex recorder can export different formats from arri raw such as prores ,dpx etc”That’s the Codex VFS aka Virtual File System. It’s pretty cool, as you can apply various things to the files(including LUTs) when you transcode. It copies files over from the Codex and while it’s copying to your destination it’s actually transcoding.
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci 8:8:8 Renaissance
Color
Truelight -
Use the Codex VFS to create the codec you need to deliver or use the ARRIRAW converter which limits you to DPX. In that case, Glue Tools can help if you need to use Compressor. I haven’t conformed ARRIRAW but I believe you treat it just like DPX frames.
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci 8:8:8 Renaissance
Color
Truelight -
“FYI- this cannot not happen in the camera- this is a file transfer error on the data handlers side-you cannot corrupt a ProRes clip in an Alexa”
What if the camera freezes in the middle of a take? I’ve seen certain clips play back, but you can’t do a save as or export out of FCP or quicktime with the clip. This is the same media that was ingested on two completely different systems with two different types of software and readers on set. Could that be a problem with the SXS cards?
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci Renaissance
Color
Truelight -
If everything needs to be transcoded to LT, then you can just throw one compressor setting on everything. If I’m forced to use compressor, I’ll usually set it up by camera roll to stay organized and If you have 422 and 444, I’m thinking the 422 and 444 would be separated into different camera rolls anyway.
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
Resolve
da Vinci Renaissance
Color
Truelight -
You should check out Fotokem/Raleigh Studios in Budapest if that isn’t too far of a trek for you.
https://www.fotokem.com/index.php?option=com_content&task=view&id=91&Itemid=144
twitter.com/illyalaney
-
Joseph Owens
“but I’m just a beginner with Resolve, myself, making the transform from Apple COLOR”Glad to see you started using it. I’m looking forward to more of your input on the forum.
twitter.com/illyalaney