Illya Laney
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The Codex doesn’t kick in until it receives a signal while the Prores starts recording immediately. As far as I know, there’s nothing you can do about it because the Prores clips will always be longer than the raw.
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It has built in test signals. There’s many new features on this model because it’s specifically designed for broadcast. Our engineering department uses a Klein probe I think. I could be wrong.
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dermot shane
“I have been told that there is nothing short of a full on callibration system to lock in the Pana Plasma.”That’s not the case here. These plasmas are specifically designed for broadcast and have much more built in control over any of the other Panasonic Pro Plasmas. Right now I use a 50″ pro plasma and I’d trust it any day over a Dream Color.
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Have you checked this out?
TH-42BT300U
https://www.bhphotovideo.com/bnh/controller/home?O=&sku=828085&Q=&is=REG&A=details42″ pro broadcast plasma display with Scopes and test patterns. It’s $2,659.95 at B&H but I’m sure you can find it cheaper. I’d prefer this over a DreamColor considering the price point. You could feed it HDMI until you can afford the SDI card.
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I’d like to meet those assistant editors and ask them to sync, grade, and transcode 7 hours of dailies and have them transferred by 10AM. Thanks.
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Chad Terpstra
“I heard somewhere that Pioneer’s magic was being integrated into Panasonic’s line”I think the Pioneer guys Panasonic hired have been working on the higher end consumer plasmas since mid to late 2010.
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You can, but you’d lose any in-camera audio. Production mix is usually fed to the camera and some editorial houses require the production mix on their delivery specs.
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The new XML they’re using is called AXEL.
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It’s a completely different type of XML than what was previously used with FCP. I guess that’s what they mean by “Rich.”
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It’s funny when people talk negatively about Avid when pretty much every one of their favorite shows and movies were edited with Media Composer. If we’re going to talk about training…I’d argue that classroom training for Avid declined because of online tutorials and Avid offering free Media Composer trials. It’s much cheaper to go that route than pay $700 for a weekend class.
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