Illya Laney
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I second the JL Cooper. The panel is pretty solid and the track wheels are like butter.
twitter.com/illyalaney
nextLAB Mobile
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da Vinci 8:8:8 Renaissance
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Truelight -
You have to pay significant cash to add more inputs on the Sony PVM and BVM. Comparing the two Trimasters, I didn’t see a huge difference.
twitter.com/illyalaney
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da Vinci 8:8:8 Renaissance
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The Aviator, one of the originators of the teal/orange combo. An awesome film by the way.
twitter.com/illyalaney
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da Vinci 8:8:8 Renaissance
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I was just talking about placing your Resolve Scopes on the Mimo touchscreen so you don’t need another monitor. They make a larger version so you can probably fit the Parade and Vectorscope on just one Mimo. I have hardware scopes too, but they can only display one mode at a time so I use the Resolve for Vector or Waveform.
twitter.com/illyalaney
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da Vinci 8:8:8 Renaissance
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Truelight -
How are you trying to bring them in to Avid?
twitter.com/illyalaney
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da Vinci 8:8:8 Renaissance
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How about trying Mimos? You can hook them up USB and place them pretty much anywhere you want. I popped off the stand in this picture.
twitter.com/illyalaney
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It’s working for me, but that sounds like the same stuff that was happening months ago.
twitter.com/illyalaney
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da Vinci 8:8:8 Renaissance
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Avid
twitter.com/illyalaney
nextLAB Mobile
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da Vinci 8:8:8 Renaissance
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Bill Davis
“Color bars are kinda an analog video world artifact.”So how do you CYA when a client comes back because they think the black levels are wrong? Every delivery we make(HDCAM SR or file based) requires bars and tone.
twitter.com/illyalaney
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Truelight -
How are you guys trying to relink the media back in Avid? It’s very very particular about how you do it.
twitter.com/illyalaney
nextLAB Mobile
SpeedGrade DI
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da Vinci 8:8:8 Renaissance
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Truelight