[I.a. B.]

video copilot’s plugin “twitch” does exactly that.

[I.a. B.]

here’s a link to a video showing some of the presets https://www.vimeo.com/695298

[I.a. B.]

i have strived to learn how to do this and now i can tell you. one way to do this, is a displacement map, i made an animation using some photos from this site https://www.karlklomp.nl/mda/still.html of those real glitches, then you put the animation in your comp, use it as a displacement map and ta da you’ve got some messed up footage.

another way (something that i did) is to create animated elements that you can lay ontop of the footage and set to a transfer mode to imitate some things, i’ve got one that makes some purpleish distortion like recording on the lead of a DV tape, another that is some random bars of noise and scan lines, and a few others, all built using fractal noise, and a few other effects ontop of it.

another good trick is to capture some footage from an OLD VCR into the computer, but you probably have to go analog, right up to the capture, or you’ll just get a blue screen.

if there’s anyway i can send you the pre sets, i will.

EDIT: here’s a pic of one of the pre sets i made to look like part of the “cloverfield” logo in the trailer.

https://img222.imageshack.us/img222/3826/picture28kz2.png

[I.a. B.]

you’ve got to do a ram preview to hear the sound and watch your footage, or graphics or whatever. check you “time controls” window for the ram preview button.

[I.a. B.]

you cant import brushes, but you could do a stroke on a mask, and then roughen the edges and that might give you want you want

[I.a. B.]

not if you set the compression to “none” but you’ll have some big file sizes

[I.a. B.]

are you watching it on the same screen?

[I.a. B.]

check out andrew kramers tutorial on time remaping.

https://www.videocopilot.net/tutorials.html?id=30

to get something that slow, i’ve found that pixel motion starts to distort the image a bit, so i just slow it down a bit, then export or pre comp it, then slow that down even more, and so on until i get it as slow as i want

[I.a. B.]

well, i work very well in after effects, and i am learning shake right now, shake is VERY complex and there is alot to take on, and could yield the same results as after effects which is slightly easier, and defiantly wont disappoint you.

[I.a. B.]

there’s a few ways to do it, in that video it looks like just an orange dot that lasts a frame that they put infront of the gun, if you want to go for a more realistic look, check out detinationfilms.com they’ve got some free real muzzle flashes, jut bring them into AE and set the transfer mode to “screen” or “add” i like add but its up to you, then time it up with your footage and rotate/change the size so it lines up nice, and there you go.

check out this thread
https://forums.creativecow.net/thread/202/874732