Forum Replies Created

Page 14 of 38
  • Hector Berrebi

    July 14, 2011 at 6:25 am in reply to: AVID MC5 Using AJA ioHD or Kona3

    this is a very nice thing to start the day with 🙂

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 13, 2011 at 9:57 pm in reply to: Re: FCP to AVID – MXF Flavours?

    [luigi tadiotto] “i’m also interested in avid solution, i’d like to know if you can import xml from fcp, or only EDLs… “

    You can use Automatic Duck to open FCP projects
    https://www.automaticduck.com/products/pefcp/

    as for workflow. You have a minimum of two folders per project, your project folder, the avid mediafiles folder and potentially, an assets folder for stuff you might link via AMA.

    All the media you captured and transcoded in all of your projects in concentrated and arranged in one folder structure. When you want to move a project you have the consolidate option (similar to copy media in FCP) or other media management tools in the Media tool..

    It might sound different to you at first, but it’s actually quite simple and well put together. And a sturdier media management system than FCP.

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 13, 2011 at 9:35 pm in reply to: Avid vs FInal Cut

    [Bill Barton] “Avid vs FInal Cut”

    Bill… Though it’s kind of cool to call threads like this these days

    Not being able to properly install hardly quallifies as a “Vs” thread

    🙂

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 13, 2011 at 9:07 pm in reply to: FInal Cut To Avid, Growing Pain

    [Greg Burke] ” FInal Cut To Avid, Growing Pain”

    Greg.

    Just commenting on the title you chose…
    Changing your toolset is never easy. But it shouldn’t be regarded as a growing pain, or any sort of pain for all it matters…
    this will reflect on how you learn the software.

    I say this from years of training experience, it’s hard to self learn a software like Avid properly, especially if you come from years of experience on FCP. And more so if you plan to quickly learn to use it as aprofessional tool.

    I know FCP and AVID well enough to tell you that with proper training, differences and conflicts are minimal, and it’s a rather smooth transition.

    Alone (or with tutorials) it becomes much harder.

    And as of waveforms… A nice recent addition is the RTAS panel on every track, you have a waveform button there, individual for each track.

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 12, 2011 at 9:15 pm in reply to: dual configuration x2 GfX cards

    [Greg Burke] “I wanna have Avid on 2 monitors, and output a third Window for Video Preview on my LCD”

    I don’t believe it will work properly.

    [Greg Burke] “The I/O Express is 1,500 Dollars, and not worth it for me to do that”

    It’s not, IO Express is 995$ and it’s a versatile product that can work with many softwares (FCP, Avid, PPR, AE and probably more) it’s external, so can potentially work on a lap top if you ever needed it and most importantly, it will do what you want it to, while the GT 120 won’t.

    BTW… The Matrox MXO mini is 495$, does what you need (even knows how to ballpark calibrate consumer LCD tv sets) and has some of the IO express qualities I mentioned above. I worked with it several times recently and it’s a nice little piece of hardware.

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 12, 2011 at 8:54 pm in reply to: How is this effect called and done ?

    As the link you give is a still it’s hard to tell…
    However, I think I can imagine what this looked like.

    It’s a blend of two fields, motion graphics and compositing. And yes, you can do this stuff with motion.

    But you have to learn practices and techniques, accumulate experience and improve your skills.

    There are no buttons or five steps to get you there.

    There are generators and templates in FCPX and Motion that do similar things (though probably simplified compared to what you are looking for) there are also websites with collections of more elaborated templates,
    https://www.motionvfx.com/

    But it will never look like what talented people cooked up to match a project’s style and needs.

    You can look for motion graphics and compositing books on amazon, some are excellent.
    You could watch tutorials and start there… Some Adobe after effects tuts are amazing ( even if you don’t use it, it will open your mind and give you ideas) some great ones here too on the Cow.
    And if you like it, and feel you get it, go get proper training somewhere, or be someone’s assistant or probably both.

    Once you learn the tools… You just look at these and you figure out a millions way to possibly reconstruct them

    Good luck

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 12, 2011 at 11:46 am in reply to: dual configuration x2 GfX cards

    [Greg Burke] ” so I am able to output into 4 external monitors for avid”

    Why would you want to do that?
    Unless you really need the extra screen space, and work on a huge desk 🙂

    You’d be better off investing in an io express… or wait a little for Avid’s next move in support for io cards.

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 12, 2011 at 11:24 am in reply to: has anyone figured out how to…..

    1. Use blade to cut multiple tracks…

    From the manual:

    “Note:  If you don’t make a selection, this command acts only on the clip in the primary storyline.”

    if you select all tracks blade cuts through them all

    Didn’t check it in compound.

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 12, 2011 at 10:53 am in reply to: FCP X All Washed Up

    Did you start thinking of a logo Brenden? Times of changes are times of opportunities… You certainly do a good job.. Thanks

    Hector Berrebi
    prePost Consulting

  • Hector Berrebi

    July 12, 2011 at 10:42 am in reply to: Odd Select Clip Behaviour

    Are you JKLing with skim function turned on?

    This may cause what you describe…

    S turns it on and off

    Hector Berrebi
    prePost Consulting

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