for the record, I specialize in story-telling. Longform is my bag but I do need to produce finished shows, not just an offline for sombody else to finish on a better box. I online as I go and I do need to composite, animate and design sound in each piece I create. I also, as Bob mentioned, have to create DVDs and provide web content. I’m literally a one man band. I have no tech support to call on, no authoring dude to lay stuff on and no graphics department to lean on. My clents were familiar and comfortable with Avid’s interface and all of this played a role, along with price, in my decision to go with AdrnalineHD. It boasted it’s HDV nativenss. Perfect for me as I shoot with an FX1. It bragged about it’s 10 bitness and many assumed that would fix the aliased DVE. It came bundled with Avid DVD and many of us thought we could just export a quicktime reference and bust out some DVDs.
Now, I won’t get into the superbins that are’nt that super, the in to out renders that dont render or even the massive increase in overall crashes coming from the meridien line. I can say that I am highly displeased with the fact that its not HDV native, still has the same aliased DVD it came out with in ’95 and can’t handle a simple export of a QT reference without a phat mixdown of my 90 minute project. I don’t like being lied to and Avid’s advertising of Adrenaline (not HD) has done nothing but that since they bastardized the Media Composer with it.
Now, I understand your point on how you’d rather I just answer a question and leave out the comma with a tidbit of personality or opinion but please understand that I owe over 20k on a box thats worth half that while my competitors paid 10k for a box worth twice that. My bad? hell yeah, man and it surely wont happen again but for you to hop on here with 70 posts and start yelling remove the angry hippie, dude thats pretty lame.
