I think linear editing helped me ignore or get use to these varying dynamics. 20 years ago, we as editors did indeed sometimes have to say yes, even when the answer was no. I mean, it’s not like we could really make a timing change in minute one of a 60 minute show and still meet the deadline 2 hours away. There is an art to oppeasing and I believe I learned in in those days of being a linear editor.
I can’t tell you how many times folks ask for one thing and I absolutly understand it but disagree with. Instead of saying that, I’ll respond with a “oh wow. So your saying do this and that (all my ideas now placed as theirs) and then the show is tight and we’re done? Man that’s why you get the big bucks.” Do you know hom many times I’ve had that disagreed with? None. ever. It’s always the same response. A glow of pride as they sit back and stretch feeling like the man. That’s my job. I make the best product possible while making the client feel they did. I enjoy it. If I didn’t, I just be a producer.
lol
The rougher the client, the more I like it. I get a kick out of folks all like “ooooh you have so and so today!? duuude he’s a tirant good luck with that.” Then they watch us walk out of the suite 12 hours later huggin’ and high fivin’. That’s the gig.
and man I love it. In a nutshell. I admit to dictating. However, all of my clients would tell you I’m the best collaborator in town. I’m not. I’m the best dictator around. I simply make my ideas their ideas and execute em before they realize what happened.
I could be a plotician if I clipped on a tie and babbled stuff I knew nothing about.
