Greg Janza
2
COW Coins
1
Premiere Pro Coin
Forum Replies Created
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Everything that you want Premiere to do is already available. Do a youtube search on keyboard shortcuts when working with Premiere audio keyframes.
Your second request can be solved by adding submixes to your timeline. Just submix all of the tracks that you want to group.
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[Dan Powers] “I am using Pro Res HQ 3840 X 2160 2997 on 1080 timelines.”
Perhaps you can do a test and create cineform proxies of some of that media. I work on a very similar specced imac and I use cineform proxies for 4k media that’s usually a combination of RED and Sony FS7 and Premiere works without so much as a hiccup.
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When making proxies, make them in an edit friendly codec, i.e., cineform. If you make H264 proxies you’re essentially defeating the purpose because H264 media isn’t edit friendly and will bog down your CPU.
I’d also recommend that you make all proxies in Resolve. It’s just easier. Resolve also has an audio export setting “same as source” which makes it virtually impossible to create proxies that don’t match your originals which is essential to the proxy workflow in Premiere.
Pluraleyes was a great program when Premiere didn’t have audio syncing built in. However, there’s no need for Pluraleyes at all since Premiere has robust syncing. Do all of your audio syncing in Premiere and it can be done either before or after proxy creation.
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The main key to butter smooth playback if you already have a fast computer is converting all media to an edit friendly codec like cineform.
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You can transcode in Premiere or use another program like Resolve. It doesn’t matter as long as you make edit friendly versions of your H264 media.
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[Nina Lucia] “So is there no way to toggle camera and proxies if you sync to external audio?”
External audio has nothing to do with proxy creation. I’d recommend that you create proxies before you add your secondary audio to the clips but it also doesn’t matter if you make the proxies after you create multicam clips from secondary audio.
Proxy creation is only for the video track. Your original audio tracks never change.
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Export each customized LUT as a preset effect and then send those exported preset effects to your partner to import into his/her system.
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Your computer specs are ancient. At a minimum you need an i7 processor, 16 gigs RAM and a 4gig graphics card.
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[Harry Akkers] “Original clips are MP4 avch.”
If you’re looking for efficiency, all H.264 clips should be transcoded to an edit friendly codec (i.e., cineform) prior to editing.
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I was referring to full res as in not having to set play back to 1/2 or 1/4.
With proxies there’s really no need to render at all.
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