Forum Replies Created

Page 38 of 525
  • Gary Adcock

    September 16, 2011 at 3:36 pm in reply to: Sync Timecode with Audio Recorders

    [Rodrigo Allendes-Fernandez] “Any experience with Arri Alexa? Alexa has a lemo 5pin connector. What type of cable you need to jam the TC.
    On my point of view, the camera should be the master TC, for takes in MOS mode which made between SYNC scenes.

    Arri ( along with many others) make adapter cables, a good rental house should have the cable, have theme get a cable with the alexa.

    As for master TC- Audio always creates the Master TC when shooting dual system sound in the US as well as most of the rest of the world. this is becuase cameras are notorious for not staying in sync ( and that does include both alexa and red’s cameras)

    Even when shooting MOS or VFX plates.

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    September 14, 2011 at 8:29 am in reply to: Syncing a compound clip

    [Jordan Wilson] “For me, a “video camera” is something that delivers the highest quality picture and the biggest bang for the buck.”

    I disagree.

    a video camera should be able to record for more than a few minutes.
    it should also be able to output a continous video signal that can be recorded or montiored at full rez.

    As with 35mm cameras in the still world, they were used extensively but the the highest quality work was always done with the larger format Hasselbads and “professinoal grade” 4×5 and 8×10 view cameras.

    So in much the same manner, the tools work the same way

    DSLR = 35mm
    Hasselbald = 2/3″ broadcast
    4×5 view camera = 16mm / HD
    8×10 view camera = 70mm/ 35mm / REDs, Alexa, Sony F35/ F65.

    you use the tool that is best for your needs.

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    September 14, 2011 at 8:17 am in reply to: Sync Timecode with Audio Recorders

    you either have embedded TC or LTC.

    the Kipro does not extract TC from an embedded stream, on most of the shoots I work on the MASTER TC comes from Audio.

    After the clockit device is used to Sync the Camera then just put it on the Roland.

    make sure to resync the camera after a battery change or anytime the camera has set without recording for more than an hour, as the TC can drift ( but just a litte)

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    August 24, 2011 at 2:16 pm in reply to: SxS Cards vs Rec Out Frame Rates

    [Rodrigo Allendes-Fernandez] “Why can´t I match the actual framerate on the Rec Out?”

    40FPS is not a standard video frame rate and the kipro can only record standard SMPTE video signals that can pass over a single HDSDI feed, and that max frame rate is 30p in 1080 and 60p in 720.

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    August 18, 2011 at 2:16 pm in reply to: Stereoscopic output via Kona 3G

    The Kona’s are designed to work with the Cineform codec to allow a previously Muxed 3D file to be output as discreet right and left eyes.

    Aja does not support output of seperate, individual eyes at this time.

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    August 14, 2011 at 12:20 pm in reply to: Pro-res HQ file won’t open with LION

    [stokes mcintyre] ““An invalid public movie atom was found in the movie.””

    did you run the system update to load the Lion codecs?
    your QT codecs do not work in Lion.

    I would try a reinstall of FCP then Update your computer via Software update.

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    August 9, 2011 at 8:41 pm in reply to: Having Difficulty with Kona 3G & Premiere Pro CS5.5

    Ok

    you do not say how you are monitoring or what you are feeding your client monitor.

    note that HDMI cannot see a PSF signal, it needs to be set to be “P”

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    August 9, 2011 at 8:38 pm in reply to: Ki Pro powering itself down

    [Steve Eisen] “Never a good excuse. If you have internet access, you have access to the manual.
    https://www.aja.com/pdf/support/AJA_KiPro_manual_v2.0.pdf

    Good point Steve,

    I keep all of my manuals on my Ipad

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    August 8, 2011 at 4:01 pm in reply to: Ki Pro powering itself down

    [Steve Culpepper] “Not well versed with the ki pro yet and don’t have the manual on hand. Ki Pro will flash low battery then die while it is plugged in the wall. Where am I going wrong?”

    if your unit is using the Aja AC adapter, you need to call tech support to have a new brick sent out as a replacement.

    if you are NOT using the Aja Power supply- chances are the unit you are using is not correctly rated for operation of the KiPro.

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

  • Gary Adcock

    July 31, 2011 at 7:18 pm in reply to: Resolve and Kona

    [Nigel Thompson] “Dude ! You are nuts no way I was leaving my wife. Just make sure you have somewhere to sleep when you get back lol . Does the phrase ‘dog house’ come to kind lolol

    I have brought her before- she has a schedule conflict and cannot join me, hey its been 10 years of leaving on my anniversary and I still have a place to stay (most of the time).
    This time around, I think she will be glad to be rid of me.

    She does get the benefit of traveling with me occasionally, hell I have taken her to China, all over Europe multiple times and I think she may join me in Taipei later this year and I am taking her 1/2 way across the US just so she can get a behind the scenes peak at the US version of Antiques Roadshow being shot later in August.

    gary adcock
    Studio37

    Post and Production Workflow Consultant
    Production and Post Stereographer
    Chicago, IL

    https://blogs.creativecow.net/24640

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