[Gabriel Sanchez]

I´d be good if Adobe included any file info module with all the pertinent data of format, encoding, etc.., this will be very helpfull.
Until that we´ll be using Mediainfo for this purpose.

Regards

[Gabriel Sanchez]

I´d make a 25 fps sequence, drop your 50fps footage, and only accelerate to 200% speed the footage you want to play at 25 fps normal speed, then when you want it to slow down, set the speed to 100%. You can do it making cuts and using the right click–>Speed/Duration option in the timeline in each cut, or using the time remapping tool for easy in/out keyframes.
Regards

[Gabriel Sanchez]

If my memory doesn´t fail, Premiere doesn´t give you the hole info of encoding type of a clip. I use Mediainfo, a free media info tool that will help. There´s another one called GSpot, but i like more Mediainfo.
Regards

[Gabriel Sanchez]

A fast way to do it is applying Fast color corrector. Take the dropper for white balance and click in any “supposed to be” white surface in the image, for example one of the papers on the table, so Premiere can understand what is supposed to be pure white and then he can adjust the right white tone. Surely it will take the master color wheel to the blues, as you have a yellowish dominant in second shot. Do it with both images to achive similar white adjust in the two shots. At least both images will get a closer tone, so you can finesse manually the lights, shadows and midtones. Also i would adjust the levels in second shot as it is slightly dark.
Regards

[Gabriel Sanchez]

As Tero said, you can import the old proyect in the new one. Premiere will give you the option to import individual sequences of this old proyect of to import all of them. It will place all sequences and media used in old proyect in a new folder in the proyect pannel.

Regards

[Gabriel Sanchez]

Subclips and trimmed clips in backup proyects when saving a new trimmed proyect through the Adobe Proyect Manager don´t work with some kind of interframe codecs, like AVCHD h264 files. The result is that all subclips or supposed trimmed clips in proyect will have same length than the original file as they are just a copy of it. Then, subclips are only usefull for managing your proyect clips within PPRO, but not for store or backup purpose.
However, it will work fine with intraframe encoded files, like DV family.

Regards

[Gabriel Sanchez]

Autosaved proyects folder is supposed to be allocated in same folder than the manually saved proyect.

Regards

[Gabriel Sanchez]

Thanks Joseph for your answer. Actually i know that i can search the font i want by using this method, but i was only curious about why Adobe apps don´t show fonts in alphabetical order while other apps do.

Regards

[Gabriel Sanchez]

Is good to know it, thanks for sharing.

Regards

[Gabriel Sanchez]

This is really weird. I don´t know how to help, sorry.
Try updating PPro.

Regards