Forum Replies Created

Page 192 of 245
  • Floh Peters

    May 2, 2006 at 8:25 pm in reply to: media 100 v8.1 OS X Compatability

    In V8.2 some changes have been made for OSX 10.3. V8.1.1 is only supported (and does work reliable) up to OSX 10.2.x

  • Floh Peters

    May 2, 2006 at 5:12 pm in reply to: Opacity and Dissolves – Real Time.

    Yes, only when the CTI does not move. Maybe a future update could get realtime draft playback for dissolves and opacity keyframes, but for uncompressed HD you would need big RAIDs to deliver two streams of HD footage.

  • Floh Peters

    May 2, 2006 at 5:09 pm in reply to: Simple Resize on a HD 4×3 Shot?

    [Michael C.] “I’m getting some older 4×3 films on an HD Reel to go into a larger HD program.”

    The regular HD formats are 16:9. So how are the clips delivered if they are 4:3? With black bars at the sides? Or with a wrong pixel aspect ratio? On tape or on disk?

  • Floh Peters

    April 30, 2006 at 3:05 pm in reply to: digitizing setting to maximize video quality

    For online quality from DVCam I would suggest something around 240k PAL. DVCam data rates are lower than that, but since the signal gets converted to uncompressed and then recompressed to the Media 100 i codec it makes sense to keep the data rate higher. On recompression artifacts could appear when using lower data rates.

    [macmauro] “PS which sotware i can use to convert 4:3 to 16:9”

    E.g. AfterEffects. Or Media 100 sw, which is quite good at mixing 4:3 and 16:9 material.

  • Floh Peters

    April 30, 2006 at 3:01 pm in reply to: Work flow issues

    It depends on which company you will work with. If you are doing a tape-to-tape correction you should play out a DigiBeta master from an uncompressed timeline and an EDL for detecting the cuts. This should be from the finished show, but before any logos/titles/credits are applied. After you get the finished, graded mastertape you can then digitize and insert the parts where you need titles. Usually we would do that to a dub of the graded master which would get our final master.

  • Floh Peters

    April 28, 2006 at 9:33 pm in reply to: Are the Kona cards included?

    Yes, they should be included. I think you cannot buy the OEM cards separate from Aja.

  • Nothing for Media 100. The ICE boards were rendering accelerators for AfterEffects (for special “Iced” effects). But DualG4s are definitely faster than ICE FX for 99% of all effects.

  • [Kieran Matthew] “Would it even work with OSX?”

    No. There never has been an OSX version of the ICE drivers.

  • Floh Peters

    April 27, 2006 at 6:25 am in reply to: Exporting AE renders to import as 16×9

    [Bobby Mosaedi] “what else do i need to do?”

    In the “Import” dialog box, set Aspect ratio to 16:9. Or select your clip in your Bin and use the Media->Change Media Attributes

  • Floh Peters

    April 26, 2006 at 3:55 pm in reply to: NAB musings

    [mediator.cc] “1. Media 100 Quicktime with 844/X codec without re-rendering (as Media 100 HD does) ?”

    I

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