[Ernie Munick]

Faster io? Input/output for …audio?

[Ernie Munick]

Thanks for the reply, Eric.

Usually 4K in MOV format, 150Mbps or 400Mbps 10 bit, mixed with 4K 60p in 8 bit…

I suppose I should be using proxies—that would be faster and easier than an egpu.

But..I AM curious.

[Ernie Munick]

I’ve been viewing at 100%, 200%, 400%…

[Ernie Munick]

Thanks, Brett. You are right.

What makes this weirder (to me), is that when I share the master file (XDCAM 35 mbps), I don’t get any of the flicker/waving. It only occurs on that timeline. In fact, when I just look at the clip in the browser…no flicker/waving.

Only in timeline (with effects on or off).

[Ernie Munick]

Watching on computer screen.

And it must be the interlaced timeline: I dropped the same progressive clip in a progressive timeline—no flicker/waves.

Still wonder if there’s a fix.

Thanks, Bret

[Ernie Munick]

I have to export (share) in interlaced form (TV)…

[Ernie Munick]

Spot on—I’m in a 29.97 interlace timeline (though footage is progressive).

Now, if I could fix, lessen the artifact…

Thanks, Doug

[Ernie Munick]

Thanks, Shane.

Gonna experiment with 4K broll over a 1080i sequence—-we shall see. I’m all for fooling the media reader with the sequence name, but let’s see how it looks…

[Ernie Munick]

Hi, guys.

If my sequence has to be interlaced (1080, 29.7)—my final product is shared in FCPX as XDCAM HD (35mbps)—is there a way to shoot first in 4K, then SMOOTHLY translate to 1080i?

Probably a big fat no on the way, which sucks because I love 4K for the cropping factor.

Thanks, either way.

[Ernie Munick]

Do you mean here? https://egpu.io