Forum Replies Created

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  • Eric Toline

    May 2, 2013 at 3:02 pm in reply to: Countryman b2d

    Depending on your budget, the Sennheiser MKE 2, Sanken COS 11, Countryman B6 or EMW are good places to start. They will have to customized with the proper connector for wireless usage.

    Eric

    “I push the RECORD button and hope for the best”

  • Eric Toline

    May 1, 2013 at 10:35 pm in reply to: Countryman b2d

    Be aware that directional lavs if mounted off center on the talent that head turns will cause a drop in level also directional mics are more prone to plosives from p-pops and breath blasts. I would suggest that you try one out as a demo from a dealer with the right of return if it doesn’t work out for you.

    Eric

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 20, 2013 at 5:21 pm in reply to: Senn G3’s and SD 702

    All G3’s are the same. The receivers can be either line or mic output depending on where you set the output level. Set at -30 and it’s almost mic level as -40 & below is considered mic level. As you raise the output level you increase the output voltage until you’re into line level territory. “0” is .773vac and +4 is 1.23vac. I’m a firm believer in the “if it ain’t broke, don’t fix it” school.

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 20, 2013 at 1:51 pm in reply to: Senn G3’s and SD 702

    I think you’re missing the point. Receivers are normally line level output. All you can do is attenuate them to a mic level output. Transmitters have mic preamps because most often you’re connecting a mic into them.

    That said, by using a system specific wiring configuration you bypass the internal mic preamp and connect to the line stage of the amplification circuit. Less high gain preamps the better.

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 19, 2013 at 9:33 pm in reply to: Senn G3’s and SD 702

    Almost all gear with XLR inputs & outputs have a way to switch them from mic level to line level. Where possible a line level connection is best to keep any RF issues & preamp noise out of the signal chain. Camera hops (wireless feeds from mixer to camera) are almost always line level in and out.

    Eric

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 19, 2013 at 6:24 pm in reply to: Senn G3’s and SD 702

    Of course you can Peter. You can crank up the receivers output to +12 over “0” to feed a line level input. I do it all the time. You can even feed the transmitter a line level input with a properly wired input cable. Do that a lot also.

    Eric

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 19, 2013 at 1:25 am in reply to: Senn G3’s and SD 702

    The 20/20 guide line is for mic level inputs. For a line level input the -20 still applys for the tx but the rx output should be turned up to to “0” or above depending on the input sensitivity of the 702.

    Eric

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 16, 2013 at 9:28 pm in reply to: Hiding extra wireless bodypack mic cable

    Not saying you’re wrong but FWIW, Read my signature line.

    Eric

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 16, 2013 at 7:35 pm in reply to: Hiding extra wireless bodypack mic cable

    I’ve done all the things you say you shouldn’t do and can’t recall any problems. Have you had any problems?

    Eric

    “I push the RECORD button and hope for the best”

  • Eric Toline

    April 16, 2013 at 7:30 pm in reply to: Audio Interfernce Using Sennheiser G3 Audio Kit

    Your link is password protected and can’t be opened without it.

    Eric

    “I push the RECORD button and hope for the best”

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