[Eric Santiago]

I’ve seen this due to perm issues with mounted drives.

Just be lucky you are not missing data.

[Eric Santiago]

Im curious how much it reframes.

In some cases maybe create a ref layer and try to do it manually frame by frame.

Not sure if there is a one-button push for your issues.

[Eric Santiago]

Try camera tracking a rendered clip.

Not sure if you can do that with a comped sequenced (files).

[Eric Santiago]

When you say flatten do you mean it places the sequence within a new sequence (the term is nesting)?

[Eric Santiago]

Just create a Project at the framerate you need and add the clip to that.

I for one use Adobe Media Encoder for converting for Broadcast.

I get the odd 23.976 to 59.94 requests.

[Eric Santiago]

I got curious and found this option:

https://www.youtube.com/watch?v=m09LJKZ8ph8

http://www.ilgattohanuovecode.it/tool/final-cut-round-trip/

Might test it later.

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[Eric Santiago]

I am not sure but are you thinking of importing a whole sequence into Motion?

My understanding is that Motion works as a contributor to an NLE.

[Eric Santiago]

Uggh somethings up.

I managed to fix the display issue with the anamorphic and 4K DCI (23.98) project but can’t seem to get the 4K DCI (using 59.94 as frame rate) to view in HD mode via UltraStudio 4K 🙁

[Eric Santiago]

Shouldn’t affect the original files if that’s what you mean.

[Eric Santiago]

Thanks, Michael for your tip.

Getting old here and forgetting to check off “Match timeline settings” and set it to HD.

That worked for me 🙂