Eric Santiago
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Another oddity is that between two nMP with Avid MC installed, one of them tends to import H264 files with that awful Gamma issue.
The blacks would be grey in the import.
I was sure the same codecs were installed on both machines.
Only difference is that suspect nMP system is sharing Adobe Premiere and FCPX codecs/software install. -
709 during earlier attempts.
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Remove the proxies and see if you can export to Master from that end.
Ive had proxies get corrupt on me due to bad crashes.
you def have a rendered timeline correct?
before exporting I sometimes make sure that there are no lingering un-rendered clips. -
Studied it with my class on a crappy LCD Projector at 1280×900.
Stunning even at that horrible luma levels 🙂
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David Fusion works on Windows 7.
Does for me anyway but on a BOXX tower.
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Oh nevermind, just went and tried ProRes4444 (Im sure the lower ones work too) and it turns out perfect.
Not sure what happened to the older/DNxHD codecs must be a QT7 thing?
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You try exporting as Master?
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See thats a good attitude Helge on learning.
I did the same thinking when I saw FCPX at NAB 2011 for the first time.
I knew it was going to be fun to learn something different.
Not all of us have that luxury but ever since my days from EIAS/formZ to Lightwave, Softimage etc…I always forced myself to learn new things so that I dont get so jaded with one app.
I hope to find time to get acquainted with Fusion, I kinda gave up on Smoke since it felt so slow for me compared to AE.
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Are the clips from the GH4 being re-compressed to a different codec?
I dont know what the GH4 spits out.
I do a ton of RED to 4K and yes even to h.264 (gulp).
But for YouTube 4K, I let them deal with it.
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I think it depends on how you approach it.
To me, FCPX as the an editorial tool requires it to be simple.
But when it comes to intricate compositing and grading, then apps such as Fusion and Resolve are welcome in my workflow since Ive had the experience with both and all the other head hurting apps from my 3D days 🙂