Eric Jurgenson
Forum Replies Created
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Create a new sequence with the proper settings, copy & paste the original timeline material to it.
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Pick the Windows waveform preset in the export media window.
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Undo? History?
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Are you using the “fill right” and “fill left” stereo audio effects? This is the traditional way of “mono-izing” stereo tracks, and I have never had an issue with Premiere forgetting that these effects are applied. By using copy and paste attributes, you can apply these effects to multiple clips simultaneously.
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Send to Audition.
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Chris is on the right track here. You should NOT edit in a progressive sequence. Progressive footage looks fine in an interlaced sequence, whereas interlaced footage looks bad in a progressive sequence due to deinterlacing artifacts (lower vertical resolution, increased judder).
If you have a choice, edit mixed progressive and interlaced footage in an interlaced sequence.
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Just pick MPEG2 (not MPEG2-DVD) from the format list. The only difference is that MPEG2 multiplexes the audio and video into the same file, whereas MPEG2-DVD makes seperate video and audio files, which might be more useful when authoring with programs like Encore (although Encore will accept multiplexed files as well).
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Try unplugging and replugging the firewire cable while your HDV footage is playing in the camera.
Camera will default to DV mode when it is first turned on, and DV drivers will be loaded (via firewire) into the computer. You need to load the different HDV drivers, which will load when camera is in HDV mode. An easy way to make sure the camera is in HDV mode is to play an HDV tape. You can also switch from DV or auto mode to HDV mode in the manu.
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Yeah, it could take a whole half hour.
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Bring each clip into the source viewer, and with the source viewer highlighted, export media (DPX format), and send to AME (batch processing). Note that you can mark in and out points if you don’t want the whole clip.