[Enrico Parents]

Thanks a lot, i supposed that this one was not the right choice, just lazy!

–Because it’s the final stage and want to uniform everything

http://www.indydoc.it

[Enrico Parents]

Couse I want to have everything progressive…

So instead of doing it for each clip that is interlaced in the sequence i thought of doing it to all, even if some footage is already progressive.

http://www.indydoc.it

[Enrico Parents]

No one had this issue?

[Enrico Parents]

Its not dirt, I’m up sizing everything, it’s not on the original footage, it’s compressor that is going bananas!

[Enrico Parents]

I found the answer of my problem, somebody connected an external USB hard drive to the keyboard and therefore everithing was going very slow, but still if I just copy all clips and sequences to another project then FCP is unable to recognize the original master with match frame…

[Enrico Parents]

Thanks to all for the ideas you mentioned! unfortunately it seems that we can not get easily better material, as we have little money to pay for the related expenses.

Thanks M. Suszko for all your solutions, you gave me a lot of ideas, but i have not really understood what you meant by: You can layer iterations of Apple Color and filters on it.

Thanks

Enrico

[Enrico Parents]

Thanks! the filter is not bad, but we think that maybe a more radical solution is more appropriate, because as you say it’s too difficult to make it look better, maybe something that makes the images more abstract or something like “BAD TV” that make it more degraded but with a feel of real tv.

But my feling is that BAD TV it’s been used too many time…

[Enrico Parents]

Any help?

[Enrico Parents]

portability has a cost!

Thanks!

[Enrico Parents]

That’s true but the zoom in I perform in the viewer it doesn’t corrispond on the SD Timeline, how can I get around that? Couse if I correct it once is on the timeline It has loosed all it’s HD quality.