Forum Replies Created

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  • I don’t believe this will work with all codecs, such as Black Magic’s or Apple’s 10bit codec, you must use a codec that can carry an alpha, such as Animation.

    Eli Mavros

  • Eli Mavros

    August 10, 2006 at 6:58 pm in reply to: OT Donating equipment

    There is a museum of moving images in NYC…don’t know if this is anything they would be after…but worth a shot.

    Eli Mavros

  • Eli Mavros

    August 10, 2006 at 6:09 pm in reply to: 23.98 to 29.97

    Man, I hope someday we can just export with pulldown straight from FCP…seems like a no-brainer to me as far as things that should be included within the app.

    Best,
    Eli

    Eli Mavros

  • Eli Mavros

    August 9, 2006 at 11:00 pm in reply to: 23.98 to 29.97

    I just keep amending this…but I just searched around, and looks like Nattress Standards converter is the way to go…bummer. What about laying off to digibeta through my Kona card (which is supposed to add the 3:2 on the fly, right?) and then capturing off the tape? This seems like a lot of work, but Flame guys do this kind of thing all the time.

    Thanks,
    Eli

    Eli Mavros

  • Eli Mavros

    August 9, 2006 at 10:44 pm in reply to: 23.98 to 29.97

    P.S. I mean to ask if I can add a pulldown to a QT on the fly…I know that FCP can add it on the fly on an output to tape.

    Eli Mavros

  • Eli Mavros

    August 7, 2006 at 2:34 pm in reply to: A Scanner Darkly effect.

    This is not just a filter, or a program. Yes they did use a special program that was created by a guy named Bob Sabiston, but as far as I know it is not available for purchase by the general public. Though they had this program, it wasn’t a matter of just running the footage through it and presto! it’s done. Thise “look” is the work of hundreds of rotoscopers and animators…it is a very tedious process.

    Best,
    Eli Mavros

    Eli Mavros

  • Eli Mavros

    August 7, 2006 at 2:27 pm in reply to: DVCPRO HD Question

    Well…as I thought, ther are different schools of thought on this whole thing. If I were to give the rotscopers/keyers the footage at 10bit, should I drop my footage on a 10bit timeline and render it before exporting, or should I just export to 10bit straight from the DVCPROHD Timeline?

    Thanks,
    Eli

    Eli Mavros

  • Eli Mavros

    August 5, 2006 at 10:45 pm in reply to: DVCPRO HD Question

    Thanks for the responses guys. I must say, if this was all just up to me, I would probably just work native DVCPROHD…but I find my graphics co-workers seem to be a little scared of the format. I personally really like it quite a bit and can’t discern the difference between that and other HD footage that I have seen.

    Thanks Again,
    Eli Mavros

  • Eli Mavros

    August 1, 2006 at 12:37 am in reply to: Varicam to Digibeta tranfer, stupid?

    Thanks for all the responses…luckly I was able to convince them to rent the deck and forget about the digibeta nonsense. So far smooth sailing.

    Best,
    Eli Mavros

    Eli Mavros

  • Eli Mavros

    July 31, 2006 at 9:54 pm in reply to: Best Way to work with JVC HD100U

    I used Lumiere HD…a bit clunky…but after a couple trials got it working with HDV 24p from this camera…looked good.

    Best,
    Eli

    Eli Mavros

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