[Eli Mavros]

I have not run into this problem…but also, have you ever thought of raiding them together? If you are going to work in a format other than DV, it would be suggested.

[Eli Mavros]

Thanks Graeme,
You mean on the output to the television, right? Also, what if you play that dvd on a computer…does it play true 24p? Also, if your programme is short and you can use a high bit rate even at 29.97 and still fit it all on a DVD, is it then not really worth the headache of working in 24p?

[Eli Mavros]

Dear Don,
Thanks for your reply. I am aware of Graeme’s great contribution to this forum and have indeed learned a lot from his posts, but unfortunately the stuff that he talks about on that link that you sent me is very general, and stuff that I know already. I am more interested in real world solutions on the subject rather than the explanations on why or why not to shoot 24p. I already have the footage and I cannot change how it was shot, but want to know what my best appoach is for handling it in regards to my delivery formats. Do you have any experience with the format that you might be able to give me some tips about? What workflow worked best for you? What kind of problems did you run into with your decided workflow? What would you do differently?

Thanks,
Eli