Dom Silverio
Forum Replies Created
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There is a chart in the Avid Knowledge base for all codecs based on 2 tracks of audio.
Also if you turn on the Digitze Tool there is a section that tells you how much record time you have based on resolution, amount of audio tracks and disk space left.
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Give it as Blackmagic’s uncompressed codec (8 or 10 bit). Download the PC codec installer. It works this way.
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[CaptainMench] “24p doesn’t mean 24 frames progressive. On the DVX it means it was 24p with added pulldown to 30 fps.”
That is true and I never said anything in contrary. Anyways, DVX 24p is as 24p as Varicam.
[CaptainMench] “but 24p and 24pA are two VERY different thing is FCP.”
Again, I never said anythig in contrary.
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[CaptainMench] “This is a bit misleading answer.”
Are you refering to my reply? Can you explain?
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Well actually, you will break the cadence if you edit in 29.97. Many argue that it is not a big deal, and I tend to agree. However, if you are editing 24p based material I prefer editing in 23.976 since you can migrate your projects to any future needs.
Also, you are dealing with less frames during the process so your renders are faster.Also, editing in 23.976 is more flexibility if you need to master to NTSC and/or PAL.
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Yes. Talk to your Unity admin.
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Avid was mixnig media formats before Vegas existed – and Avid actually can output it to client monitor 🙂
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Actually, this is done with mostly software based technology. You can mix DV and HDV in the same timeline in XPro without Mojo.
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What do you have on regular PCI slots?