Dave Mccarthy
Forum Replies Created
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Exactly what are you doing to add a title? There are several options.
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I think we support whatever they list in their specs. You could see what input standards are enabled; that should equate to output standards as well. The reason I asked about the program format is that v2.0 allows you to put video clips in non-matching programs, so the clip could be in a supported standard and the program not.
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What is the video standard of the program? Not all video standards can play on the hardware.
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We know.
Video standard flexibility is fundamental to the way we designed the REDCODE workflow, and of course it’s useful even without a RED camera so we made sure it works for any mix of standards. But audio is a pretty tricky problem in its own right and we had to omit that flexibility for now. Stay tuned. -
Nothing happens? Literally nothing? When you double click a file in the Finder, something should happen, even if it’s just an alert that the file can’t be opened for whatever reason.
The download is a disk image file named Media100_200.dmg, and double clicking it should mount a volume named Media100_200 on your system. Maybe it’s already opened and not visible on your desktop? On my Mac it opens automatically from Safari.
As a last resort, try launching Disk Utility and use it to open the Media100_200.dmg disk image file.
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That’s a bug in 1.6; it was fixed in 1.6.1 and up.
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Floh, thank you for a great presentation. You make our work look so good. We’ve been working on some of the parts of this release for over a year and we’re really excited to get it out there so you and the others on this list can take advantage of the cool new features, many of which came from feedback in the user surveys and here on the Cow.
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We encode color clips into a 2×2 rectangle of animation codec to save space. It’s completely legal to mix codecs and sizes like that, and most (but not all) QuickTime applications can handle the decode correctly.
If you export to QuickTime, there is a decode/encode step so it is theoretically possible to have generational loss in the image. But ProRes is pretty good and I doubt that it would be noticeable.
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The trial version of the Calibrated decoder puts a watermark. The trial version of Calibrated MFX Import limits you to half of the source clip length.
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Do you have the XDCAM codecs installed? (XDCAM Transfer will warn you about that when it starts, I think.)
Have you set your Media Destinations correctly? Do you have read/write permissions to those locations?
What standard were the clips shot in? (frame size, frame rate, codec)