[Dan Shott]

Our editors will fully render out a show then we in the assist bay will take their sequence and export it for viewing, ftps, dvd, etc. The renders are used in the making of the quicktime so we don’t have to rerender the show for output.

[Dan Shott]

We’re using Apple ProRes 422 for everything.

[Dan Shott]

Hey Cody,

Have you tried running the quicktime through compressor after you make it? In the Filters tab there is a ‘Timecode Generator’ that pulls the embedded TC from the quicktime you export from FCP and overlays it on the video.

Hope that helps.

[Dan Shott]

Came across this software, incase anyone finds this thread in the future https://dvdxdv.com/NewFolderLookSite/VeeScope/Products/VeescopeLive.overview.htm

[Dan Shott]

Thanks for the suggestion!

Also came across this software which we might end us using. https://dvdxdv.com/NewFolderLookSite/VeeScope/Products/VeescopeLive.overview.htm

[Dan Shott]

Hi Shane. Do you know if it’s possible to use a KONA 3 to take a 1080psf23.98 input signal and use the card to convert it so Final Cut Pro could capture at 1080i59.94?

Thanks,
-Dan

[Dan Shott]

Right, but the next multiclip I make it defaults back to In Point. I’m looking to change it as the default everytime I make a multiclip.

[Dan Shott]

That did it! Thank you so much for your help!

[Dan Shott]

Unfortunately repairing permissions did not fix the problem and I’m still looking for a solution.

[Dan Shott]

Thanks for the suggestion. I was looking around their website, but was unsure if Apace Systems offers Final Cut Pro project sharing like EditShare claims to?

Thanks,
-Dan