Dan L.
Forum Replies Created
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Tom didn’t see your email, mine is danfilm@yahoo.com. Thanks for the help. Really appreciate it!
Best,
Dan
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Should be able to input directly. Just make sure the setting on the camera is set to HDV, rather than downconvert to dv, I loaded some material from one of these cameras, and had trouble until I found that in camera setting.
Best,
Dan
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What’s interesting is that when the edl is first imported there are 4 Master Clips and a sequence.
Those four Master Clips the video field reads 1:1 it looks like they correspond to one each to the three master tapes used in the list with one being a master clip for cg/aux stuff. When I decompose the sequence all the master clips have the correct DnxHD 115 format in the video column, but won’t digitize.
Do they still reference those four original MAster clips somehow?
I’ll give it another shot on monday.
Best,
Dan
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Tried importing it into the 23.976 ntsc project and got an immediate error, i guess it does not like the 24 frame list,
Tried decomposing, had the same problem.
Tried changing the Format of the sequence down to ntsc but Avid said it only supports converting up to 1080 not back down.I even tried creating a sequence in avid, From know material ingested by the adrenaline sent it out to EDL manager and then bringing it back into the same project and had the same issues. Format was set correctly in EDL manager, source and record set to 24, every time it asks what the list is we set it to 24 as well.
Beginning to feel like this is just a bug. Are there any Best practices for generating and importing a 24 Frame List? We are using CMX3600, is there a more stable list. Is there something in the setting of Avid that I am missing?
Best,
Dan
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Michael,
It will not allow us to modify the sequence, it claims it is allready 1080p/23.97
It is actually showing the imported Master Clips aas 1:1 in the video colum, the format column for these master clips are blank.
Are their particular settings in EDL manager to make the import clean.
BEst,
Dan
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I have a related question.
What happens to your data rate if you load you footage as DnxHD 23.976 1080p in an adrenaline and just switch the format of the project to 23.976 fps NTSC to edit.
Best,
Dan
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have you trashed the database files in the OMFI folder? IS the OMFI foler on the root level of the drive?
Best,
Dan
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I have Mojo Working with an internal SATA raid. If I’d have to look at the exact motherboard model, it’s anasus, and the SATA raid is connected to a raid controller on the motherboard. I think I have a p4pE deluxe. I tried the SATA raid with the promise controller and that would not work, but the intel one works fine.
other system specs are a single p4 3.2 ghz and 2gb ram,
running XprostudioHD.
HTH,
Dan
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Thanks Michael, good to know it is under consideration.
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Mike,
I see the problem. But it just seems a little like makework for the user. It makes you add the step of cutting all your master clips into a sequence to then break them out to duplicate master clips.
This makes more sense if in your workflow you are looking to online a cut sequence. However if you have a reason to want master clips that are not allready in that sequence, say pickups, it just adds that extra step. The master clip should detail where the A frames are as well as the sequence. I am not opposed to making duplicate new master clips that are correct for the project, I just wish I could highlight a bunch of master clips and do it right from the bin with the logical, modify clip, set source command that allready exists and have it create the same duplicate master clips as it would create if I had highlighted them all and cut them into a sequence first.
Best,
D