Craig Ricker
Forum Replies Created
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Out of curiosity what is Fermi support? I have a EVGA FTW GTX 660 in my Mac Pro 5,1.
Was just curious 🙂
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Yes this would work fine if I was after an instantaneous speed change, but I was hoping to utilise the speed handles to allow for a controlled speed change.
There has got to be a way of doing this. I dont understand how people aernt coming across this problem all the time?
You set a frame of the clip you want at the exact moment you want on the timeline, and then you desire to adjust speed of the clip on either side of that frame without moving the frame from that position. You can obviously do this to the right of the frame as it pushes the clip longer that way. But there must be a way to do this to the left of that frame with it extending the clips length backwards towards the start of the timeline. Its mental if it can’t do this simple thing.
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Same
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Im just used to FCP where you can set the DV PAL sequence field order to “none”, and I thought the export followed that too.
But now thinking about it, the DV Pal exports always had their fields ticked to LOWER when they were reimported to FCP.
So it appears anything exporting DV PAL always sets the field order to “lower”.
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Forgot to add, i’m viewing this from the deck on a progressive monitor. Just checked it on a interlaced monitor and it appears nice and crisp.
So to understand whats happening here?
My progressive TV is deinterlacing the footage to display it and thus throwing away half the information, or thereabouts. Dependant on the quality of the individual tv’s deinterlacer I take it?
Am I right?
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You are correct of course, I was just curious about fixing it after I had made the mistake of first building the movement points.
Or if I had a situation where I wished to move the anchor point mid way through an animation.
I find if I use the Alt + Drag option it does indeed move just the anchor point, and then I have to readjust the position keyframes as a whole to move it back into position. Not too bad a solution after all.
Many thanks everyone
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So I have a layer moving from the direct left off screen to the middle of the screen. horizontal movement
2 position keyframes.
I then desire to move the anchor point from the middle of that layer to its bottom right edge.
I use the pan behind tool. But it moves only 1 of the position keyframes rather than both, and so even though the anchor point is now in the correct position the first position keyframe is now higher than the second position keyframe and so the layer moves into the center of the screen from a diagonal direction from the top left.
How can I have it so that it adjusts all the position keyframes the same amount so that the position movements are varied?
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Ok got this working. For those who do not know. You can setup any sequence, as long as its 50p, 60p for 720. It does not work with 30 or 25p in a 720 sequence.
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Are the preview files being displayed on the blackmagic card or is it some other feed to it? Like if I select I-Frame MPEG as my preview files, can I expect to have a lossy looking preview on the TV?
Secondly, by placing 720p25 footage into a 720p50 sequence am I seeing the same thing, or is there some conversion going on? Or does the Black magic card just treat the footage as interlaced which is fine as its progressive and thus both frames are the same?
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Did you ever get a solution to this problem. I cannot get CS6 to put anything down the Intensity Pro card. It works perfectly in FCP 7, I can see the Blackmagic option in the playback settings of premiere, but even with it ticked and audio ticked to blackmagic, I just get a black screen on my TV?
Cant seem to find any straight forward instructions for this.