[Craig Howard]

My footage is progressive so this issue has never arisen for me.

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

Try hitting the space bar so the effect “renders”… then play it.

Should be fine.

That was what Mike V was suggesting to you.

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

Yes.

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

Ctrl – K will razor at the edit point (its tricky to use though)

I avoid the razor (for editing purposes) and tend to use three point edits from the source and program monitors. “I” and “O” for in and out points then “,” and “.” for insert or overlay. You have to target a track so I have short cut keys set up for that as well. “1” toggles video tracks and “2” toggles audio tracks. “~” toggles between taking Video, Audio or both.

TAB toggles between Source and Program monitors the way I set it up. (Everything is mainly up in the left corner of the Keyboard)

There are short cut keys for Lift and Extract that I could use but for some reason I forget about them. (Mental note to myself – use them more!)

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

I do.

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

What do you mean by “add edit”?

If you mean insert clip from source monitor to timeline at CTI position its “I” if you mean overlay clip from source monitor its “O”

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

Select ‘FIT” as your option under the monitor.

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

Are you seeing this discrepancy when exporting a timeline to tape?

Here is my procedure – I need frame accurate exports to tape also.

Example a 30 sec TVC with ID board and Leader to be exported to DSR-11 tape deck.

1.Tape is prestriped with Time code (eg 5 minutes worth of TC)

2. First Frame TVC needs to insert on tape at 00:01:30:00 (PAL)

3. The first frame of the TVC is on 00:01:30:00 in the timelne. The leader and ID board precede this TC

4. Go to first frame of ID Leader. (In my case it is 00:01:11:23)

5. I ensure the Work Area BAr is exactly covering this frame and the very last frame of the Exporting Clip

Theoretically 00:01:11:23 should be the TC I enter to Insert to tape but I have a 17 frame error if I do so. To offset this I call the Insert to Tape point 00:01:11:06. WOrks perfectly.

NOtes:
I know exactly why I have the 17 frame difference (no problem and a different story).

I use the Presets for DSR-11 Device control and I use no Pre Roll.

Step 2. The insert point on the tape can be any other TC – eg 00:02:30:00 – just use same offset math as described.

Hope this helps

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

Does the clip in the Source Monitor match the original T/C of the tape?

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0

[Craig Howard]

I think there is a little Toggle button for this in the EFC window.

Craig Howard
Shooter Film Company
Auckland
New Zealand

Premiere Pro 2.0