Forum Replies Created
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Hi Kevin,
Yeah, I was kind of thinking about that… In particular I was thinking of Andrew Kramer’s SureTarget plugin, but instead of having one camera, having two, side-by-side.
Then you could render out the comp using each camera and then blend the resulting files together… but I’m sure there’s more science behind it.
Also, how do they do the 3-D (like at the movie theater) that isn’t the old-school blue and red?
Thanks,
ClintAdobe CS4 Master Suite
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Clint Milner
November 5, 2010 at 12:29 pm in reply to: Transcoding 10fps AVI file in Encore, having issues!Personally, I’d take the AVI and put it into Premiere first and either encode it to mpeg-2 using AME, or dynamic link it to Encore.
This might help.
Clint
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Clint Milner
November 1, 2010 at 5:10 pm in reply to: ENCORE is trimming video in my timeline and dvdI would first check why Encore is transcoding your video if you’ve just exported from Sorenson.
If the video stream is legal, it should say “Don’t Transcode” next to it in the Properties panel.
I’ve never seen this problem, but I’d double-check your settings in Sorenson and maybe try to re-export Elementary MPEG-2 and make sure your Encore settings match the video.
Hope that helps,
ClintAdobe CS4 Master Suite
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haha, thanks Dave,
I am using the Render Queue actually… I’m exporting my Comp as AVI – Lagarith Lossless codec ready for HC Encoder.
I was just wondering because usually HC can tell and has the Interlaced or Progressive button correctly set.
Thanks
Adobe CS4 Master Suite
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Clint Milner
September 24, 2010 at 2:24 pm in reply to: Trying to import an After Effects comp as a menu.Here’s a sample project and screenshot to show you the way I did it.
Hope that helps.
Clint
Adobe CS4 Master Suite
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Clint Milner
September 23, 2010 at 10:38 am in reply to: Trying to import an After Effects comp as a menu.Hi Ian,
You need to assign the AE project as a Video asset of your menu under the Motion Tab of your Menu Properties.
Alternatively you can click on a blank menu in Encore, Menu –> Create After Effects Comp (which does the above for you and launches AE) and then import your comp that you’ve already made in AE.
Hope this helps.
Clint
Adobe CS4 Master Suite
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Hi Andy,
Thanks for the reply. I know that PAL DV footage is LFF, but for some reason when this footage is encoded to MPEG-2 as LFF, I get the traditional field jitter (including during the problem areas). UFF creates smooth video EXCEPT for these certain sections that have been time manipulated in FCP.
The source QT file from the client doesn’t show this jitter, but we can only check the file on computer screens, so it could be there I guess. I don’t think the client is editing with an Interlaced monitor.
The client and I are kind of at a stand still because neither of us know who’s at fault, but we both agree that the problem is during the footage that has been time adjusted.
I’m really hoping that you may have a couple more ideas up your sleeve, but thank you for your time.
Kind Regards,
ClintAdobe CS4 Master Suite
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I forgot to mention that this would only work for PCs… I’m not too sure if you could an actual DVD player to work the same way.
Clint
Adobe CS4 Master Suite
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Hi Carlos,
Well if the person you’re creating the ISOs for had a virtual imaging software (MagicISO Virtual is what I use) you could send a USB with the ISO to them, and then all they do is ‘mount’ the ISO and it plays just as if there was a DVD in the drive. You can even FTP ISOs, so you don’t even need a USB if you don’t want.
Hope that helps a bit, let me know if you have any other questions about this.
Cheers,
ClintAdobe CS4 Master Suite
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Hi Alan,
I was wondering the same thing… please see my post about it:
https://forums.creativecow.net/thread/145/868035
That’s with CS4, but hope that helps,
Clint
Adobe CS4 Master Suite
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Intel Core i7 920 @ 3.60GHz
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